Hawthorn Berries
Jacket
1993 (made)
1993 (made)
Artist/Maker | |
Place of origin |
The hawthorn leaf motif on this jacket is a feature of Sasha Kagan’s work. So too is the use of different textures, such as the contrast here between the chunky wool background and the soft chenille used for the leaves. These have been worked using the intarsia technique. This involves the knitter using a separate length of yarn for each block of colour across the row, so that the yarns are not carried across the entire row which makes up the motifs.
Sasha Kagan trained as a painter and printmaker before moving to rural Wales. Her knitwear is inspired by the local landscape and by William Morris's Arts and Crafts textile designs. She and her studio assistants hand-knit all her designs using natural yarns.
Sasha Kagan trained as a painter and printmaker before moving to rural Wales. Her knitwear is inspired by the local landscape and by William Morris's Arts and Crafts textile designs. She and her studio assistants hand-knit all her designs using natural yarns.
Object details
Categories | |
Object type | |
Title | Hawthorn Berries |
Materials and techniques | Hand-knitted wool, chenille, horn and copper |
Brief description | Jacket 'Hawthorn Berries' made of hand-knitted wool and multi-coloured chenille, designed by Sasha Kagan, Wales, 1993 |
Physical description | Jacket made of hand-knitted black wool and multi-coloured chenille leaves and fruit, and with horn and copper buttons from Nepal. |
Dimensions |
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Gallery label |
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Summary | The hawthorn leaf motif on this jacket is a feature of Sasha Kagan’s work. So too is the use of different textures, such as the contrast here between the chunky wool background and the soft chenille used for the leaves. These have been worked using the intarsia technique. This involves the knitter using a separate length of yarn for each block of colour across the row, so that the yarns are not carried across the entire row which makes up the motifs. Sasha Kagan trained as a painter and printmaker before moving to rural Wales. Her knitwear is inspired by the local landscape and by William Morris's Arts and Crafts textile designs. She and her studio assistants hand-knit all her designs using natural yarns. |
Bibliographic reference | De La Haye, Amy, ed. The Cutting Edge: 50 Years of British Fashion 1947-1997. London: V&A Publications, 1997.
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Collection | |
Accession number | T.167-1997 |
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Record created | August 28, 2003 |
Record URL |
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