Object Type
This cabinet was never intended to be used in a domestic setting. It was made to display the talents of the designer, and the skills of the craftsmen, who worked for the London firm of Jackson and Graham. The style of the cabinet looks back to 18th-century French design.
Materials & Making
The cabinet is of superb quality, as was noted in the Art Journal catalogue of the Paris International Exhibition of 1855. The catalogue remarks of this cabinet that 'the interior is finished with as much care as the exterior, being of satin-wood inlaid with tulip-wood and the fronts of the drawers inlaid with ivory and panelled, the panels being fitted with finely-chased and gilded metal-work'.
People
Alexandre EugŠne Prignot (born 1822) had been the principal designer for the firm of Jackson and Graham from 1849 to 1855, the year he designed this cabinet. Prignot was a pupil of Henri-Auguste Fourdinois (1830-1907) and Cic‚ri. This training suggests that he was familiar with the work of important contemporary French cabinet-makers, and the French tradition of spectacular exhibition pieces. Besides London, he also worked in his native Paris, the USA, Belgium, Russia and Spain. Prignot published photographic anthologies of his designs for furniture, decorations and upholstery.
Place of Origin
England, Great Britain (made)
Date
1855 (made)
Artist/maker
Prignot, Alexandre Eugène, born 1822 (designer)
Jackson & Graham (cabinet-maker)
Minton & Co. (ceramicist)
Cope & Collinson (casters (people))
Elkington and Company (electroplater)
Materials and Techniques
Marquetry of various woods, giltwood, porcelain plaques and marble inlay, surmounted by a mirror
Dimensions
Height: 411 cm, Width: 245 cm, Depth: 83 cm
Object history note
The cabinet was made for the Paris International Exhibition of 1855 by Jackson & Graham and bought from the exhibition by the Museum.
Historical significance: This cabinet won considerable acclaim for the English at the Paris International Exhibition of 1855, although the furniture and decoration classes of the international exhibitions had tended to be dominated by the French. It was described by Matthew Digby Wyatt in the official reports on the Exhibition as, 'good in composition and highly satisfactory in every detail of design. The only objection I have heard urged against it being that the frame of the glass which formed the upper portion of the piece of furniture was not quite so agreeable in form as the lower part'. The cabinet is of superb quality, as was noted in the Art Journal catalogue of the Exhibition, 'The interior is finished with as much care as the exterior, being of satin-wood inlaid with tulip-wood and the fronts of the drawers inlaid with ivory and panelled, the panels being fitted with finely-chased and gilded metal-work'. No less than forty designers, modellers, cabinet-makers, carvers, gilders and metal chasers worked on the cabinet in Jackson and Grahams workshops and in addition the bronze castings were made in Birmingham and the china plaques painted by Minton's of Stoke-on-Trent.
Historical context note
Exhibitions were popular public entertainments from the 1840s onwards. The British Government began to purchase pieces for the collection of the Victoria and Albert Museum at the Paris Exhibition of 1844. The series of International Exhibitions which began with the International Exhibition of 1851 were on a much larger scale and the competition between nations encouraged the production of massive and elaborately decorated pieces of furniture.
Descriptive line
A cabinet in the Louis XIV style, with a mirror and candle branches, ornamented with marquetry, gilt brass figures and porcelain plaques painted with putti. Made by Jackson & Graham for the Paris International Exhibition of 1855.
Bibliographic References (Citation, Note/Abstract, NAL no)
[Aslin, Elizabeth. Nineteenth Century English Furniture. London: Faber and Faber, 1962.]
Labels and date
Shown at the Paris International Exhibition of 1855, this cabinet was purchased from the Exhibition by the Museum. Prignot was a talented French designer who worked in London from 1848 to 1855 and this piece, in the Louis XIV style, demonstrates his understanding of the forms and materials of early eighteenth century French cabinet making. [1993]
British Galleries:
More than 40 craftsmen worked to realise Alexandre EugŠne Prignot's design for this magnificent exhibition cabinet. Other firms were also commissioned to make specialist elements of the cabinet. Minton's made the painted plaques, Cope & Collinson the brass mounts and Elkington's the electroplate. [27/03/2003]
Associated Events
Paris International Exhibition, 1855
Production Note
The porcelain plaques were painted by Mr Grey, of Marlborough House, after designs by Messrs Remon and Polish, and fired at Mintons in Stoke-upon-Trent.
The brass mounts were made by Cope & Collinson and electrogilded by Elkingtons.
Materials
Porcelain; Ivory; Marble; Brass (alloy); Rosewood; Reflective glass; Tulip-wood; Satin-wood
Techniques
Carving; Painting (image-making); Gilding; Casting; Electroplating; Cabinet making; Marquetry
Subjects depicted
Putti; Musical instruments
Categories
Furniture; British Galleries
Collection code
FWK
