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Dessert Fork

1818-1820 (made)
Artist/Maker
Place of origin

Object Type

Smaller forks evolved in the early 18th century as cutlery became specialised. A desire to eat more elegantly prompted the need for table equipment that could be used only at particular times in the meal or with certain foods. The fruit or dessert fork was designed for use with the last course or dessert, which might consist of fresh or candied fruit. A Victorian etiquette book of 1880 advised, 'In eating pears or apples, they would be peeled and cut into halves and quarters with a fruit knife and fork.'



Design & Designing

Dessert cutlery had always been more highly decorated than that for the earlier courses, to reflect the status and expense of the dessert. Handles, in particular, were often more ornate. This fork has a handle made of ivory but mother-of-pearl could also be used to add to the effect of luxury. In the Victorian period fruit forks were commonly sold with fruit knives in boxed sets of a dozen. The manufacturer Elkington & Co. could charge up to £22 a set in 1885 for richly engraved blades with carved handles and accompanying matching knives.



Object details

Categories
Object type
Materials and techniques
Silver, die stamped attached to an ivory handle
Brief description
Dessert fork, silver with ivory handles, one of a set of eight knives and nine forks, Birmingham, Joseph Willmore, 1818-20
Physical description
Fork, silver prongs and shaft with ivory handle
Dimensions
  • Length: 62mm
  • Width: 16mm
  • Height: 8mm
Marks and inscriptions
Duty, sterling and maker's mark of Joseph Willmore. (On front of silver shaft of fork.; punching)
Gallery label
Dessert Fork, silver with ivory handle, one of a set of eight knives and nine forks, Birmingham, Joseph Willmore, 1818-20. Bequeathed by Miss D.B. Simpson M 204:9-1977
Credit line
Bequeathed by Miss D. B. Simpson
Historical context
Object Type

Smaller forks evolved in the early 18th century as cutlery became specialised. A desire to eat more elegantly prompted the need for table equipment that could be used only at particular times in the meal or with certain foods. The fruit or dessert fork was designed for use with the last course or dessert, which might consist of fresh or candied fruit. A Victorian etiquette book of 1880 advised, 'In eating pears or apples, they would be peeled and cut into halves and quarters with a fruit knife and fork.'



Design & Designing

Dessert cutlery had always been more highly decorated than that for the earlier courses, to reflect the status and expense of the dessert. Handles, in particular, were often more ornate. This fork has a handle made of ivory but mother-of-pearl could also be used to add to the effect of luxury. In the Victorian period fruit forks were commonly sold with fruit knives in boxed sets of a dozen. The manufacturer Elkington & Co. could charge up to £22 a set in 1885 for richly engraved blades with carved handles and accompanying matching knives.

Production
No date letter impressed on the forks but association with knives in set, which are marked for hall marking years 1818-19 and 1819-20, appears to substanciate the dating of the forks.
Summary
Object Type

Smaller forks evolved in the early 18th century as cutlery became specialised. A desire to eat more elegantly prompted the need for table equipment that could be used only at particular times in the meal or with certain foods. The fruit or dessert fork was designed for use with the last course or dessert, which might consist of fresh or candied fruit. A Victorian etiquette book of 1880 advised, 'In eating pears or apples, they would be peeled and cut into halves and quarters with a fruit knife and fork.'



Design & Designing

Dessert cutlery had always been more highly decorated than that for the earlier courses, to reflect the status and expense of the dessert. Handles, in particular, were often more ornate. This fork has a handle made of ivory but mother-of-pearl could also be used to add to the effect of luxury. In the Victorian period fruit forks were commonly sold with fruit knives in boxed sets of a dozen. The manufacturer Elkington & Co. could charge up to £22 a set in 1885 for richly engraved blades with carved handles and accompanying matching knives.

Bibliographic reference
Arthur G. Grimwade, 'London Goldsmiths 1697-1837, Faber and Faber, London, 1990 ed., p. 706
Collection
Accession number
M.204:9-1977

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Record createdAugust 26, 2003
Record URL
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