The Slave Market
Watercolour
about 1843 (Painted)
about 1843 (Painted)
Artist/Maker | |
Place of origin |
The Esir Han or slave market was situated near the mosque of the Nurosmaniye. It was a series of wooden booths with galleries round a courtyard which was destroyed in one of the disastrous fires at the end of the 19th century and now no trace remains. The girl for sale here is a Nubian, sitting on a mat in the courtyard. The more expensive Circassian slaves were kept indoors and were only shown to prospective buyers. In Fisher's Constantinople (1839) the Rev. Robert Walsh described the scene with some perplexity, since a visitor would expect to see 'helpless victims overwhelmed with grief . . .' In fact, he said, 'He sees no such thing: they are singularly cheerful and gay, use every means to attract his attention, and in their various dialects, invite him to purchase them'.
Object details
Category | |
Object type | |
Title | The Slave Market (generic title) |
Materials and techniques | Pencil and watercolour |
Brief description | The Slave Market, about l 843. Aloysius Rosarius Amadeus Raymondus Andreas, known as Amadeo, 5th Count Preziosi |
Physical description | Watercolour of a Nubian woman, sitting on a mat |
Dimensions |
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Style | |
Marks and inscriptions | Signed Preziosi |
Object history | This drawing is part of a group of 34 bought by the Victoria and Albert Museum in 1907. [D.14-1907-D.47-1907]. |
Subjects depicted | |
Places depicted | |
Summary | The Esir Han or slave market was situated near the mosque of the Nurosmaniye. It was a series of wooden booths with galleries round a courtyard which was destroyed in one of the disastrous fires at the end of the 19th century and now no trace remains. The girl for sale here is a Nubian, sitting on a mat in the courtyard. The more expensive Circassian slaves were kept indoors and were only shown to prospective buyers. In Fisher's Constantinople (1839) the Rev. Robert Walsh described the scene with some perplexity, since a visitor would expect to see 'helpless victims overwhelmed with grief . . .' In fact, he said, 'He sees no such thing: they are singularly cheerful and gay, use every means to attract his attention, and in their various dialects, invite him to purchase them'. |
Bibliographic reference | Llewellyn, Briony and Newton, Charles. The People and Places of Constantinople : watercolours by Amadeo Count Preziosi 1816-1882. London, Victori & Albert Museum, 1985
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Collection | |
Accession number | D.18-1907 |
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Record created | June 30, 2009 |
Record URL |
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