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The Slave Market

Watercolour
about 1843 (Painted)
Artist/Maker
Place of origin

The Esir Han or slave market was situated near the mosque of the Nurosmaniye. It was a series of wooden booths with galleries round a courtyard which was destroyed in one of the disastrous fires at the end of the 19th century and now no trace remains. The girl for sale here is a Nubian, sitting on a mat in the courtyard. The more expensive Circassian slaves were kept indoors and were only shown to prospective buyers. In Fisher's Constantinople (1839) the Rev. Robert Walsh described the scene with some perplexity, since a visitor would expect to see 'helpless victims overwhelmed with grief . . .' In fact, he said, 'He sees no such thing: they are singularly cheerful and gay, use every means to attract his attention, and in their various dialects, invite him to purchase them'.


Object details

Category
Object type
TitleThe Slave Market (generic title)
Materials and techniques
Pencil and watercolour
Brief description
The Slave Market, about l 843. Aloysius Rosarius Amadeus Raymondus Andreas, known as Amadeo, 5th Count Preziosi
Physical description
Watercolour of a Nubian woman, sitting on a mat
Dimensions
  • Height: 19.5cm
  • Width: 17.5cm
Style
Marks and inscriptions
Signed Preziosi
Object history
This drawing is part of a group of 34 bought by the Victoria and Albert Museum in 1907. [D.14-1907-D.47-1907].
Subjects depicted
Places depicted
Summary
The Esir Han or slave market was situated near the mosque of the Nurosmaniye. It was a series of wooden booths with galleries round a courtyard which was destroyed in one of the disastrous fires at the end of the 19th century and now no trace remains. The girl for sale here is a Nubian, sitting on a mat in the courtyard. The more expensive Circassian slaves were kept indoors and were only shown to prospective buyers. In Fisher's Constantinople (1839) the Rev. Robert Walsh described the scene with some perplexity, since a visitor would expect to see 'helpless victims overwhelmed with grief . . .' In fact, he said, 'He sees no such thing: they are singularly cheerful and gay, use every means to attract his attention, and in their various dialects, invite him to purchase them'.
Bibliographic reference
Llewellyn, Briony and Newton, Charles. The People and Places of Constantinople : watercolours by Amadeo Count Preziosi 1816-1882. London, Victori & Albert Museum, 1985
Collection
Accession number
D.18-1907

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Record createdJune 30, 2009
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