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Photograph - Phalia (Portrait of Alice Walker); Zabat
  • Phalia (Portrait of Alice Walker)
    Maud Sulter, born 1960 - died 2008
  • Enlarge image

Phalia (Portrait of Alice Walker); Zabat

  • Object:

    Photograph

  • Date:

    1989 (photographed)

  • Artist/Maker:

    Maud Sulter, born 1960 - died 2008 (photographer)

  • Materials and Techniques:

    Dye destruction print

  • Credit Line:

    Copyright Maud Sulter

  • Museum number:

    E.1799-1991

  • Gallery location:

    In Storage

  • Image in copyright

This photograph is from a series of portraits of creative black women by Maud Sulter, who is of Ghanaian and Scottish parentage. The series is called Zabat and shows each woman as one of the nine Greek muses. The word Zabat describes an ancient ritual dance performed by women on occasions of power, and her use of it signifies Maud Sulter's call for a repositioning of black women in the history of photography.

The model here is the author and feminist Alice Walker, winner of the 1993 Pulitzer Prize for Fiction for her novel The Color Purple. Here she is represented as Urania, the muse of comedy and the bringer of flowers.

Maud Sulter produced the Zabat series for Rochdale Art Gallery in 1989, the 150th anniversary of the invention of photography. It was a direct response to the lack of a black presence at other celebratory events and exhibitions. Here we see the conventions of Victorian portrait photography under the command of a black woman photographer. The backdrop, props and pose are all retained but the image is transformed with African clothes and, most importantly, by the resolute black woman at its centre.

Date

1989 (photographed)

Artist/maker

Maud Sulter, born 1960 - died 2008 (photographer)

Materials and Techniques

Dye destruction print

Dimensions

Height: 122 cm, Width: 153 cm

Historical context note

Maud Sulter works with photography as well as video and installation. Amongst her recent projects has been a series of allegorical portraits of contemporary black women which used conventional studio techniques along with the trappings of historical displays. Sulter also uses a variety of conventions from portraiture - from 18th century costume to heavy Victorian frames. The contrast between these anachronistic and aristocratic styles and the actual histories of her sitters is used to poetic effect and also raises questions about the nature of 'national' heritage.

Descriptive line

'Phalia' (Alice Walker), dye destruction print, Zabat series, Maud Sulter, 1989

Subjects depicted

Flowers; Woman

Categories

Portraits; Photographs; Black History

Collection code

PDP

Qr_O82946
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