The road to Chailly, Forest of Fontainebleu
Photograph
1848-1852 (made)
1848-1852 (made)
| Artist/Maker | |
| Place of origin |
Photograph
Object details
| Categories | |
| Object type | |
| Title | The road to Chailly, Forest of Fontainebleu (generic title) |
| Materials and techniques | Albumen print from a collodion-on-glass negative |
| Brief description | 19thC, Townshend Bequest. Le Gray, Gustave. The Road to Chailly, Forest of Fontainebleau, 1848-52; 19thC, Townshend Bequest; Le Gray, Gustave. The Road to Chailly, Forest of Fontainebleau, 1848-52 |
| Physical description | Photograph |
| Dimensions |
|
| Gallery label | Photography Centre 2018-20:
Collection in Focus: Chauncy Hare Townshend (1798–1868)
Chauncy Hare Townshend was one of the few serious collectors of photography in the early years of its development. Apart from Prince Albert, he remains the only identifiable British private collector of early photographs on such a scale. He was an extremely wealthy art collector and connoisseur who moved in the highest social and literary circles – Charles Dickens even dedicated Great Expectations to him. Townshend bequeathed his large art collection, including paintings, furniture, gemstones, books and coins, as well as his photographs, to the South Kensington Museum (now the V&A) in 1868. His impressive photography collection ranged from images of political, military and contemporary events to a particularly striking group of French fine art photographs. Practising photographers tended to collect photographs, exchanging works as examples of style and process. But Townshend, who was not a photographer, recognised both photography’s documentary value, and even more so, its exciting new artistic capabilities.
4. George Newbold (active 1860s)
Tom Sayers, Champion of England
1860
Albumen print
Museum no. 64866 |
| Credit line | Townshend Bequest |
| Subjects depicted | |
| Collection | |
| Accession number | 68009 |
About this object record
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| Record created | July 28, 2003 |
| Record URL |
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