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A Boy with an Apple

Print
ca. 1901 (made), 1890 - 1910 (made)
Artist/Maker
Place of origin

Object Type

This is a colour lithograph, or chromolithograph. A lithograph is a picture made by printing from a flat surface (traditionally stone, now often a metal plate), on which the artist draws or paints the original design with a greasy substance like chalk. The surface is next prepared, moistened and inked; the greasy printing ink adheres to the design, which is then printed onto a sheet of paper. To make a colour lithograph, a separate printing surface is required for each colour: this chromolithograph was printed from no fewer than 24 colour blocks.

Trading

The trademark product of A. & F. Pears was its transparent amber soap, which was developed and promoted as a great improvement on the harshness of contemporary soaps by the company's founder, Andrew Pears, at the turn of the 18th century. In the mid-19th century, the company took on a new partner, Thomas J. Barratt to stave off fierce competition and to improve sales performance. He devised a series of expensive and original publicity schemes, which involved reproducing celebrated paintings. Such 'artistic' advertising appeared in the UK in the 1880s. Barratt was particularly keen to use the work of Royal Academicians to add kudos and respectability to his product and so target middle-income customers. He also promoted art through the pages of Pears Annual (published 1890-1921, and price six pence until 1915).This image appeared in the Pears Annual in 1901. Presentation plates were given away as a separate package with the Annual.

Subjects Depicted

In December 1899, Thomas J. Barratt (1842-1914) of A. & F. Pears bought an oil painting by John Ernest Breun which was a copy of an oil painting made in 1785 by Jean-Baptiste Greuze entitled ‘A Boy with an Apple’. He reproduced it as a print to use in his publicity material.


Object details

Category
Object type
TitleA Boy with an Apple (assigned by artist)
Materials and techniques
Colour lithograph
Brief description
Pictorial advertisement for Pears soap after a painting by Jean-Baptiste Greuze, c. 1901.
Physical description
Colour lithograph pictorial advertisment
Dimensions
  • Sheet height: 43.2cm
  • Sheet width: 32.7cm
Various sizes.
Production typeMass produced
Marks and inscriptions
  • PEARS' SOAP (Across top)
  • MATCHLESS FOR THE COMPLEXION (Across bottom)
Gallery label
British Galleries: PEARS SOAP About 1901 The manufacturers of Pears Soap tried to link their product with art and culture. They sometimes based their advertisements on paintings by famous artists. This poster is based on a copy that the company bought of an oil painting by the 18th-century French artist Jean-Baptiste Greuze. Colour lithograph, inks on paper Designed by John Ernest Breun (born in London, 1862, died in London, 1921) after an original painting by Jean-Baptiste Greuze (born in Tournus, France, 1725, died in Paris, France, 1805); published by A&F Pears, London Given by Messrs A. & F. Pears Museum no. E.1065-1919(12/2012)
Credit line
Given by Messrs A. & F. Pears
Object history
The strapline 'Matchless for the Complexion' was used by Pears between 1880-1920 according to information obtained from Unilever Archives.

Pears bought the painting on which this poster was based in December 1900. This advert appeared in the Pears Annual 1901.
Association
Summary
Object Type

This is a colour lithograph, or chromolithograph. A lithograph is a picture made by printing from a flat surface (traditionally stone, now often a metal plate), on which the artist draws or paints the original design with a greasy substance like chalk. The surface is next prepared, moistened and inked; the greasy printing ink adheres to the design, which is then printed onto a sheet of paper. To make a colour lithograph, a separate printing surface is required for each colour: this chromolithograph was printed from no fewer than 24 colour blocks.

Trading

The trademark product of A. & F. Pears was its transparent amber soap, which was developed and promoted as a great improvement on the harshness of contemporary soaps by the company's founder, Andrew Pears, at the turn of the 18th century. In the mid-19th century, the company took on a new partner, Thomas J. Barratt to stave off fierce competition and to improve sales performance. He devised a series of expensive and original publicity schemes, which involved reproducing celebrated paintings. Such 'artistic' advertising appeared in the UK in the 1880s. Barratt was particularly keen to use the work of Royal Academicians to add kudos and respectability to his product and so target middle-income customers. He also promoted art through the pages of Pears Annual (published 1890-1921, and price six pence until 1915).This image appeared in the Pears Annual in 1901. Presentation plates were given away as a separate package with the Annual.

Subjects Depicted

In December 1899, Thomas J. Barratt (1842-1914) of A. & F. Pears bought an oil painting by John Ernest Breun which was a copy of an oil painting made in 1785 by Jean-Baptiste Greuze entitled ‘A Boy with an Apple’. He reproduced it as a print to use in his publicity material.
Bibliographic reference
Victoria & Albert Museum, Department of Engraving, Illlustration and Design & Department of Paintings, Accessions 1919, London: His Majesty's Stationery Office, 1921.
Collection
Accession number
E.1065-1919

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Record createdJune 30, 2009
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