Isambard Kingdom Brunel and the launching chains of the Great Eastern
Photograph
1857 (made)
1857 (made)
Artist/Maker | |
Place of origin |
This famous portrait was taken as part of a series of photographs by Robert Howlett that documents the construction of the massive steamship The Great Eastern on the banks of the Thames. It is a powerful image in which the British engineer Isambard Kingdom Brunel (1806-1859), who was the ship’s creator, projects all the confidence and ambition of the Victorian era. Howlett portrays Brunel in his ‘stove-pipe’ hat and stacked-heel boots to give him height and presence. His formal clothes are dishevelled and muddied from the site. The backdrop is dominated by the chains of the stern checking drum. This controlled the slow slide of the ship down to the water’s edge, where it was launched by being lifted on the tide.
Object details
Categories | |
Object type | |
Title | Isambard Kingdom Brunel and the launching chains of the <i>Great Eastern</i> (generic title) |
Materials and techniques | Albumen print from wet collodion on glass negative |
Brief description | Albumen print. Howlett, Robert. Isambard Kingdom Brunel and Launching Chains of the 'Great Eastern' 1857; 1857; Howlett, Robert. Isambard Kingdom Brunel and Launching Chains of the 'Great Eastern' 1857 |
Physical description | Photograph |
Dimensions |
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Style | |
Gallery label |
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Credit line | Purchased, 1979. |
Subjects depicted | |
Summary | This famous portrait was taken as part of a series of photographs by Robert Howlett that documents the construction of the massive steamship The Great Eastern on the banks of the Thames. It is a powerful image in which the British engineer Isambard Kingdom Brunel (1806-1859), who was the ship’s creator, projects all the confidence and ambition of the Victorian era. Howlett portrays Brunel in his ‘stove-pipe’ hat and stacked-heel boots to give him height and presence. His formal clothes are dishevelled and muddied from the site. The backdrop is dominated by the chains of the stern checking drum. This controlled the slow slide of the ship down to the water’s edge, where it was launched by being lifted on the tide. |
Bibliographic reference | Hoozee, Robert (ed.), British Vision. Observation and Imagination in British Art 1750-1950, Brussels : Mercatorfonds ; Ghent : Museum voor Schone Kunsten, 2007
27 |
Collection | |
Accession number | PH.246-1979 |
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Record created | July 28, 2003 |
Record URL |
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