Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level F , Case X, Shelf 934, Box B

Tampa, Florida

Photograph
1970 (photographed)
Artist/Maker
Place of origin

Black and white photograph featuring a grid of 12 photographs tacked in a window. 10 of the photographs feature partially or entirely nude women, whereas the central two photographs on the bottom row feature two male figures dressed in suits.


Object details

Category
Object type
Titles
  • Tampa, Florida (generic title)
  • L.B. Johnson & Humphries plus nudes (alternative title)
Materials and techniques
Gelatin silver print
Brief description
Photograph by Lee Friedlander, 'Tampa, Florida', Lyndon B. Johnson & Humphries plus nudes, gelatin silver print, 1970
Physical description
Black and white photograph featuring a grid of 12 photographs tacked in a window. 10 of the photographs feature partially or entirely nude women, whereas the central two photographs on the bottom row feature two male figures dressed in suits.
Dimensions
  • Sheet length: 32.7cm
  • Sheet width: 26cm
Style
Gallery label
Gallery 100, 2016-17: Lee Friedlander (born 1934) ‘Tampa, Florida’ 1970 Lee Friedlander was among the American artists who created a new form of documentary photography in the 1960s. Here, he captured a store-front displaying titillating images of glamour models alongside portraits of President Lyndon B. Johnson and Senator George McGovern. It is a bizarre juxtaposition which, like much of Friedlander’s work, conveys the chaotic, often humorous nature of modern life. Gelatin silver print Given by the Gordon Fraser Charitable Trust Museum no. Ph.774-1980
Credit line
Given by the Fraser Charitable Trust. Copyright Lee Friedlander, Courtesy Fraenkel Gallery San Francisco
Object history
Together with figures such as Garry Winogrand and Diane Arbus, Lee Friedlander transformed American documentary photography in the 1960's. By the late 1970's he was widely seen as one of the most penetrating photographers of American cities. In Friedlander’s images, surfaces are frequently broken, disrupted, or complicated; objects jut forward, obscuring others. Mirrors and windows reflect and refract events already in flux. Through his oblique take on the social and visual fabric of townscapes, unexpected patterns and social processes emerge.
Subjects depicted
Collection
Accession number
PH.774-1980

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Record createdJuly 25, 2003
Record URL
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