Landscape, with Trees and Cottages under a Lowering Sky
Oil Painting
06/08/1812 (painted)
06/08/1812 (painted)
Artist/Maker | |
Place of origin |
Constable probably painted this spontaneous sketch in East Bergholt. A few days earlier he wrote: 'How much real delight I have had with the study of Landscape this summer. Either I am myself improving in "the art of seeing nature"…or nature has unveiled her beauties to me with a less fastidious hand'.
Object details
Categories | |
Object type | |
Title | Landscape, with Trees and Cottages under a Lowering Sky (popular title) |
Materials and techniques | oil on canvas laid on millboard |
Brief description | Oil painting, 'Landscape, with Trees and Cottages under a Lowering Sky', John Constable, 1812 |
Physical description | Landscape with two cottages in oil on canvas laid on millboard. |
Dimensions |
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Style | |
Marks and inscriptions | 'Augt 6. 1812' (Inscribed by the artist in oil, top right corner (see reference note).) |
Credit line | Given by Isabel Constable |
Object history | Given by Isabel Constable, 1888 |
Historical context | In 1812 Constable's exhibits at the Royal Academy were 'Salisbury: Morning', 'A Watermill' (Flatford Mill) (see No. 103 [135-1888]) and two small landscapes. Apart from a possible brief visit to Salisbury (see No. 118 [263-1888]) he spent most of the supper in Suffolk. [G Reynolds, 1973, p. 77] |
Subjects depicted | |
Summary | Constable probably painted this spontaneous sketch in East Bergholt. A few days earlier he wrote: 'How much real delight I have had with the study of Landscape this summer. Either I am myself improving in "the art of seeing nature"…or nature has unveiled her beauties to me with a less fastidious hand'. |
Bibliographic references |
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Other number | 324-1888 - Reynolds catalogue no. |
Collection | |
Accession number | 324-1888 |
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Record created | July 23, 2003 |
Record URL |
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