Not currently on display at the V&A

View of the wood bazaar, Simla

Painting
08/1853-11/1853 (made)
Artist/Maker
Place of origin

William Carpenter was trained at the Royal Academy Schools. He was in India from 1850 t0 1856, during which time he travelled extensively from Bombay (Mumbai) and across western India to Rajasthan, Delhi, Kashmir, Lahore and Afghanistan. His depiction of every day street scenes and groups of people is remarkably accurate and animated, his portraits vividly capturing the character of his sitters and the glowing effects of sunlight as cityscapes and architectural monuments. Brilliantly executed in a range of warm colours, his watercolours evoke a gentle romanticism.

After his return to England, The Illustrated London News published some of his watercolours. In 1881, he exhibited 275 of his paintings in a one-man show in the South Kensington Museum, London. This entire collection was subsequently acquired by the V&A.

This painting shows the wood bazaar at Simla, the most famous of India's hill stations. Simla was 'discovered' by a party of British surveyors in 1817, and its comparatively cool climate led to its becoming, in 1864, the official summer headquarters of the Indian Government. Here the British administrators could continue their work away from the heat of the plains.


Object details

Categories
Object type
TitleView of the wood bazaar, Simla (generic title)
Materials and techniques
Pencil and watercolour on paper
Brief description
View of the wood bazaar in Simla by William Carpenter, painting, watercolour on paper, India, 1853.
Physical description
A street winding up a hillside with huts, adults and children, trees, and mountains in the background.
Dimensions
  • Sight height: 24cm
  • Sight width: 34cm
Marks and inscriptions
The wood Bazaar Simla: W. Carpenter 1853.
Gallery label
This painting shows the wood bazaar at Simla, the most famous of India's hill stations. Simla was 'discovered' by a party of British surveyors in 1817, and its comparatively cool climate led to its becoming, in 1864, the official summer headquarters of the Indian Government. Here the British administrators could continue their work away from the heat of the plains.(1/12/2008)
Credit line
Museum numbers IS.33-1888 to IS.166-1888 purchased from Mr. Carpenter for £500
Object history
Historical significance: William Carpenter (1818-99)

William Carpenter was trained at the Royal Academy Schools, and was the eldest son of the distinguished portrait painter Margaret Sarah Carpenter and William Hookham Carpenter, who became Keeper of the Prints and Drawings Department at the British Museum.

He was in India from 1850 t0 1856, during which time he travelled extensively from Bombay (Mumbai) and across western India to Rajasthan, Delhi, Kashmir, Lahore and Afghanistan. His depiction of every day street scenes and groups of people is remarkably accurate and animated, his portraits vividly capturing the character of his sitters and the glowing effects of sunlight as cityscapes and architectural monuments. Brilliantly executed in a range of warm colours, his watercolours evoke a gentle romanticism.

After his return to England, The Illustrated London News published some of his watercolours. In 1881, he exhibited 275 of his paintings in a one-man show in the South Kensington Museum, London. This entire collection was subsequently acquired by the V&A.
Summary
William Carpenter was trained at the Royal Academy Schools. He was in India from 1850 t0 1856, during which time he travelled extensively from Bombay (Mumbai) and across western India to Rajasthan, Delhi, Kashmir, Lahore and Afghanistan. His depiction of every day street scenes and groups of people is remarkably accurate and animated, his portraits vividly capturing the character of his sitters and the glowing effects of sunlight as cityscapes and architectural monuments. Brilliantly executed in a range of warm colours, his watercolours evoke a gentle romanticism.

After his return to England, The Illustrated London News published some of his watercolours. In 1881, he exhibited 275 of his paintings in a one-man show in the South Kensington Museum, London. This entire collection was subsequently acquired by the V&A.

This painting shows the wood bazaar at Simla, the most famous of India's hill stations. Simla was 'discovered' by a party of British surveyors in 1817, and its comparatively cool climate led to its becoming, in 1864, the official summer headquarters of the Indian Government. Here the British administrators could continue their work away from the heat of the plains.
Bibliographic references
  • Rohatgi P. and Parlett G., assisted by Imray S. and Godrej P. Indian Life and Landscape by Western Artists: Paintings and Drawings from the Victoria and Albert Museum, 17th to the early 20th century. Published by Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, in association with V&A, London, 2008. ISBN 81-901020-9-5. p. 274, pl. 28
  • Patel, Divia; Rohatgi, Pauline and Godrej, Pheroza, "Indian Life and Landscape by Western Artists: an exhibition of paintings and drawings from the 17th to the early 20th century organised by the V&A and CSMVS". Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai and Victoria and Albert Museum, 2008, ISBN:81-901020-8-7 p. 63
Collection
Accession number
IS.63-1882

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJuly 15, 2003
Record URL
Download as: JSONIIIF Manifest