Francois Duc D'Alencon (1554-1584), supposedly
Oil Miniature
1560s (painted)
1560s (painted)
Artist/Maker | |
Place of origin |
The word 'miniature' is used to describe a technique of painting in watercolour, rather than a picture's size. Miniature painting developed as a separate art in the 16th century. In England, it became predominantly a portrait art. On the continent of Europe, however, the taste for portraits small enough to be carried on the person was often met by artists working within very different traditions. One type of 'miniature' (as all such small works are now known) produced more on the Continent than in England was the oil miniature. These were usually painted on metal. This one is painted on copper. Most of these oil miniatures are anonymous, since the art of painting small portraits in oil on metal was not one in which leading artists specialised. More often it was part of a repertoire of portrait styles offered by less well-known oil painters. In the Netherlands this medium was particularly common. One problem with oil miniatures is that the varnish often discolours, which results in a darkened effect. This probably became apparent quite quickly.
Object details
Categories | |
Object type | |
Title | Francois Duc D'Alencon (1554-1584), supposedly (popular title) |
Materials and techniques | Oil on copper |
Brief description | Portrait miniature of Francois Duc D'Alencon (1554-1584), oil on copper, formerly attributed to Francois Clouet (1516-1572). |
Physical description | Portrait miniature of Francois Duc D'Alencon (1554-1584), oil on copper |
Dimensions |
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Credit line | Bequeathed by John Jones |
Subject depicted | |
Summary | The word 'miniature' is used to describe a technique of painting in watercolour, rather than a picture's size. Miniature painting developed as a separate art in the 16th century. In England, it became predominantly a portrait art. On the continent of Europe, however, the taste for portraits small enough to be carried on the person was often met by artists working within very different traditions. One type of 'miniature' (as all such small works are now known) produced more on the Continent than in England was the oil miniature. These were usually painted on metal. This one is painted on copper. Most of these oil miniatures are anonymous, since the art of painting small portraits in oil on metal was not one in which leading artists specialised. More often it was part of a repertoire of portrait styles offered by less well-known oil painters. In the Netherlands this medium was particularly common. One problem with oil miniatures is that the varnish often discolours, which results in a darkened effect. This probably became apparent quite quickly. |
Bibliographic reference | Summary Catalogue of Miniatures in the Victoria and Albert Museum, Emmett Microform, 1981 |
Collection | |
Accession number | 623-1882 |
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Record created | July 14, 2003 |
Record URL |
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