Image of Gallery in South Kensington
On display at V&A South Kensington
Portrait Miniatures, Room 90a, The International Music and Art Foundation Gallery

Portrait of an unknown woman

Portrait Miniature
ca. 1760 (painted)
Artist/Maker
Place of origin

This portrait miniature of a woman yet to be identified was painted by Penelope Carwardine (1730-1804), a female miniaturist in eighteenth-century England. Carwardine likely learned to paint from her mother, Anne Bullock. She turned to miniature painting as a source of income to support her family financially. Carwardine was close friends with Joshua Reynolds and his sister Frances, and she exhibited at the Incorporated Society of Artists in 1771 and 1772 (earlier entries may refer to either her sister-in-law or her mother, who also painted miniatures). This miniature is typical of Carwardine’s distinctive painting style, which often featured pale, blue-toned sitters with elongated faces turned on a slight angle. It is signed ‘PC’.


Object details

Categories
Object type
TitlePortrait of an unknown woman (popular title)
Materials and techniques
Watercolour on ivory
Brief description
Portrait Miniature, Unknown Woman, by Penelope Carwardine, watercolour on ivory, ca. 1760.
Physical description
Portrait miniature on ivory of an unknown woman set in a metal frame.
Dimensions
  • Height: 33mm
  • Width: 28mm
Dimensions taken from Summary Catalogue of Miniatures in the Victoria and Albert Museum, Emmett Microform, 1981.
Style
Marks and inscriptions
PC (Initialled on bottom left)
Historical context
Portrait miniatures were frequently exchanged between loved ones and family in eighteenth-century England as tokens of affection and remembrance. Although the sitter for this miniature is yet to be identified, it likely served a similar purpose.
Subject depicted
Summary
This portrait miniature of a woman yet to be identified was painted by Penelope Carwardine (1730-1804), a female miniaturist in eighteenth-century England. Carwardine likely learned to paint from her mother, Anne Bullock. She turned to miniature painting as a source of income to support her family financially. Carwardine was close friends with Joshua Reynolds and his sister Frances, and she exhibited at the Incorporated Society of Artists in 1771 and 1772 (earlier entries may refer to either her sister-in-law or her mother, who also painted miniatures). This miniature is typical of Carwardine’s distinctive painting style, which often featured pale, blue-toned sitters with elongated faces turned on a slight angle. It is signed ‘PC’.
Bibliographic references
  • Summary Catalogue of Miniatures in the Victoria and Albert Museum, Emmett Microform, 1981
  • European Miniatures at the Metropolitan Museum of Art, p. 130.
  • D. Foskett, The Modest Miniatures of Penelope Carwardine, 'The Antique Collector,' June (1985), p.104.
  • B. S. Long, British miniaturists (1929).
  • D. Foskett, A dictionary of British miniature painters, 2 vols. (1972).
  • L. R. Schidlof, The miniature in Europe in the 16th, 17th, 18th, and 19th centuries, 4 vols. (1964).
  • H. Blättel, International dictionary miniature painters / Internationales Lexikon Miniatur-Maler (1992).
  • D. Foskett, Collecting miniatures (1979).
  • G. Reynolds, English portrait miniatures (1952); rev. edn (1988).
  • C. Petteys, Dictionary of women artists (1985).
  • Graves, 'Soc. Artists Monthly magazine,' 18 (1804), p. 364.
  • J. Humphreys, "Carwardine, Penelope". In Stephen, Leslie (ed.). Dictionary of National Biography. Vol. 9. (1887), p. 239.
  • K. Coombs, The Portrait Miniature in England (1998).
Collection
Accession number
412-1907

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Record createdJuly 11, 2003
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