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Portrait miniature - Portrait of an unknown woman
  • Portrait of an unknown woman
    Rosenberg, Charles Christian, born 1745 - died 1844
  • Enlarge image

Portrait of an unknown woman

  • Object:

    Portrait miniature

  • Place of origin:

    Great Britain (probably, made)

  • Date:

    early 19th century (made)

  • Artist/Maker:

    Rosenberg, Charles Christian, born 1745 - died 1844 (artist)

  • Materials and Techniques:

    Painted on glass

  • Credit Line:

    Bequeathed by D. Coke

  • Museum number:

    P.56-1931

  • Gallery location:

    Prints & Drawings Study Room, level F, case BECK2, shelf 4

In the 18th century cut-paper images (usually blackened) were called 'shades'. If they were portraits, they were known as 'profiles'. The fashion for 'profiles' grew in the 1770s, when the archaeological discoveries of ancient Roman sites at Herculaneum and Pompeii encouraged a taste for Neo-classicism. ‘Profiles’ became even more fashionable after about 1775, when Johann Kaspar Lavater published his hugely popular Essays on Physiognomy. He claimed that one could detect a person’s character by concentrating on his or her main features. These would reveal both virtues and vices. Lavater illustrated the book with numerous simple black profiles.

The 'silhouette' was named after a French minister who was notorious for wasting his time on this popular hobby. Commercially, it was very successful, because in its simplest form it was a cheap and quick method of portraiture. With mechanical aids, a sitting could be done in one minute. There was no need for further tedious sittings to make endless repeats of the portrait for family and friends. But both artists and clients desired novelty. This soon led artists to diversify from the original cut paper or simple painted profiles on paper. They could paint on the under-surface of flat or convex glass, using oil colour or watercolour. They then framed the glass against a plaster background. Sometimes those profiles painted on convex glass would be backed by a thin coating of wax. Artists could paint on plaster, but watercolour, ink or oil was not suitable for this. It seems that they used some kind of soot- or charcoal-based pigment. They might also use an ivory support, on which they painted in watercolour, often adding bronzed highlights. They borrowed this popular method from miniature painting.

Physical description

Silhouette portrait of an unknown woman in a turned wood frame, painted on glass.

Place of Origin

Great Britain (probably, made)

Date

early 19th century (made)

Artist/maker

Rosenberg, Charles Christian, born 1745 - died 1844 (artist)

Materials and Techniques

Painted on glass

Dimensions

Height: 83 mm, Width: 57 mm

Descriptive line

Silhouette portrait of an unknown woman in a turned wood frame, painted on glass, by Charles Christian Rosenberg (1745-1844). Great Britain.

Materials

Glass

Techniques

Painting

Subjects depicted

Portrait

Categories

Portraits; Paintings

Collection

Prints, Drawings & Paintings Collection

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