A man, called Richard Maitland, 4th Earl of Lauderdale
Portrait Miniature
1688 (painted)
1688 (painted)
Artist/Maker | |
Place of origin |
Portrait of a man, head and shoulders, to front, wearing a sash across left shoulder and a lace neckcloth. Features worked in delicate blended brown and sanguine, with blue and black for the eyes; hair in brown wash, lined with darker colour and with the lights in pale gouache; all on a warm carnation ground; cravat in white over pale brown wash, coat in red, shadowed in darker colour and with the lights in white; robe in blue wash, shadowed in darker colour and with the lights in grey; background a pale brown wash, hatched and worked in darker brown and grey; on vellum put down on a leaf from a table-book.
Frame: Nineteenth- or early twentieth-century silver locket, the convex back soldered to sides with a deep outer channel, stepping inward with a narrow channel to the bezel, which holds the shallowly convex glass by its rounded and polished edges; the hanger of square section wire with a central groove, bifurcating at the back into twin diminishing spirals of seven-and-a-halfturns.
Frame: Nineteenth- or early twentieth-century silver locket, the convex back soldered to sides with a deep outer channel, stepping inward with a narrow channel to the bezel, which holds the shallowly convex glass by its rounded and polished edges; the hanger of square section wire with a central groove, bifurcating at the back into twin diminishing spirals of seven-and-a-halfturns.
Object details
Categories | |
Object type | |
Title | A man, called Richard Maitland, 4th Earl of Lauderdale (generic title) |
Materials and techniques | Watercolour on vellum put down on a leaf from a table-book |
Brief description | Charles Beale. Man called Richard Maitland, 4th Earl of Lauderdale, watercolour on vellum, 1688. |
Physical description | Portrait of a man, head and shoulders, to front, wearing a sash across left shoulder and a lace neckcloth. Features worked in delicate blended brown and sanguine, with blue and black for the eyes; hair in brown wash, lined with darker colour and with the lights in pale gouache; all on a warm carnation ground; cravat in white over pale brown wash, coat in red, shadowed in darker colour and with the lights in white; robe in blue wash, shadowed in darker colour and with the lights in grey; background a pale brown wash, hatched and worked in darker brown and grey; on vellum put down on a leaf from a table-book. Frame: Nineteenth- or early twentieth-century silver locket, the convex back soldered to sides with a deep outer channel, stepping inward with a narrow channel to the bezel, which holds the shallowly convex glass by its rounded and polished edges; the hanger of square section wire with a central groove, bifurcating at the back into twin diminishing spirals of seven-and-a-halfturns. |
Dimensions |
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Content description | Portrait, head and shoulders, facing front, of a man wearing a sash. |
Styles | |
Marks and inscriptions | 'CB. 1688' (Signed in pale grey, lower right, in pale grey) |
Credit line | Purchased with funds from the Stephenson Bequest |
Subjects depicted | |
Bibliographic references |
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Collection | |
Accession number | P.93-1937 |
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Record created | July 10, 2003 |
Record URL |
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