A Woman, called Lady Leigh
Portrait Miniature
1648 (painted)
1648 (painted)
Artist/Maker | |
Place of origin |
Portrait, half-length, turned slightly to left and looking to front, with right hand touching her left arm; the sitter is wearing a pearl necklace and earrings. Features boldly and freely hatched in brown and sanguine, with some blue shadow and touches of opaque white heightening, on a pale carnation ground; hair in brown wash, hatched with darker colour and with the lights in gouache; dress in brown wash, hatched and with the lights in gouache; background an opaque brown wash, with a sky in opaque washes of blue and grey; on vellum put down on a leaf from a table-book.
Frame: Nineteenth-century oval gilt-brass frame; the flat glass fitted into a rebate; the inner margin is a row of cast and chased leaves within a shallow depression rising to a narrow reeded band and a broad convex band of acanthus leaves alternating with stemmed trefoils; the outer border is a rope moulding; the whole is inserted into a plain brass strip-ring to which the hanger is attached. The main inner part of the assemblage was probably intended originally to be fitted into a velvet covered surround.
Frame: Nineteenth-century oval gilt-brass frame; the flat glass fitted into a rebate; the inner margin is a row of cast and chased leaves within a shallow depression rising to a narrow reeded band and a broad convex band of acanthus leaves alternating with stemmed trefoils; the outer border is a rope moulding; the whole is inserted into a plain brass strip-ring to which the hanger is attached. The main inner part of the assemblage was probably intended originally to be fitted into a velvet covered surround.
Object details
Categories | |
Object type | |
Title | A Woman, called Lady Leigh (generic title) |
Materials and techniques | Watercolour on vellum put down on a leaf from a table-book |
Brief description | Portrait miniature of an unknown woman, called Lady Leigh, watercolour on vellum, painted by Samuel Cooper, 1648. |
Physical description | Portrait, half-length, turned slightly to left and looking to front, with right hand touching her left arm; the sitter is wearing a pearl necklace and earrings. Features boldly and freely hatched in brown and sanguine, with some blue shadow and touches of opaque white heightening, on a pale carnation ground; hair in brown wash, hatched with darker colour and with the lights in gouache; dress in brown wash, hatched and with the lights in gouache; background an opaque brown wash, with a sky in opaque washes of blue and grey; on vellum put down on a leaf from a table-book. Frame: Nineteenth-century oval gilt-brass frame; the flat glass fitted into a rebate; the inner margin is a row of cast and chased leaves within a shallow depression rising to a narrow reeded band and a broad convex band of acanthus leaves alternating with stemmed trefoils; the outer border is a rope moulding; the whole is inserted into a plain brass strip-ring to which the hanger is attached. The main inner part of the assemblage was probably intended originally to be fitted into a velvet covered surround. |
Dimensions |
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Styles | |
Marks and inscriptions | 'S.C/1648' (Signed in gold, centre right) |
Credit line | Salting Bequest |
Object history | Provenance: Acquired by George Salting from an undisclosed source, and bequeathed by him to the Museum, 1910. |
Subjects depicted | |
Bibliographic references |
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Collection | |
Accession number | P.114-1910 |
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Record created | July 3, 2003 |
Record URL |
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