A Woman, said to be Mrs Fairfax
Portrait Miniature
1650 (painted)
1650 (painted)
Artist/Maker | |
Place of origin |
Portrait, head and shoulders, to left and looking to front; the sitter is wearing a necklace of pearls. Features in free, wiry hatches of brown and sanguine, with some blue-grey and pale gouache heightening, on a pale creamy carnation ground; hair in pale brown wash, hatched in darker colour with some touches of gouache; dress a blue wash, modelled in darker colour and heightened with white; the necklace in grey with white highlights; the background a plain brown wash formerly enclosed in a gold margin; on vellum put down on a leaf from a table-book.
Frame: Late nineteenth- or early twentieth-century silver-gilt oval locket, the convex back and rounded sides curving round to the bezel, then turned over the convex glass; the hanger of elongated tear-drop form of D-section, made from two wires soldered together and bifurcating into tapering spirals of five turns. Cf also Cat. Nos 65, 80 and 94, all re-framed by the Josephs.
Frame: Late nineteenth- or early twentieth-century silver-gilt oval locket, the convex back and rounded sides curving round to the bezel, then turned over the convex glass; the hanger of elongated tear-drop form of D-section, made from two wires soldered together and bifurcating into tapering spirals of five turns. Cf also Cat. Nos 65, 80 and 94, all re-framed by the Josephs.
Object details
Categories | |
Object type | |
Title | A Woman, said to be Mrs Fairfax (generic title) |
Materials and techniques | Watercolour on vellum put down on a leaf from a table-book |
Brief description | Portrait miniature of a woman, said to be Mrs Fairfax, watercolour on vellum, painted by Samuel Cooper, 1650. |
Physical description | Portrait, head and shoulders, to left and looking to front; the sitter is wearing a necklace of pearls. Features in free, wiry hatches of brown and sanguine, with some blue-grey and pale gouache heightening, on a pale creamy carnation ground; hair in pale brown wash, hatched in darker colour with some touches of gouache; dress a blue wash, modelled in darker colour and heightened with white; the necklace in grey with white highlights; the background a plain brown wash formerly enclosed in a gold margin; on vellum put down on a leaf from a table-book. Frame: Late nineteenth- or early twentieth-century silver-gilt oval locket, the convex back and rounded sides curving round to the bezel, then turned over the convex glass; the hanger of elongated tear-drop form of D-section, made from two wires soldered together and bifurcating into tapering spirals of five turns. Cf also Cat. Nos 65, 80 and 94, all re-framed by the Josephs. |
Dimensions |
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Style | |
Marks and inscriptions | 'S.C./1650' (Signed in gold, lower left centre) |
Credit line | Given by Mrs Emma Joseph |
Object history | Provenance: S S Joseph Collection; presented by Mrs Emma Joseph, May 1941. According to Williamson, 'almost all' the best miniatures in the collection formed by the Josephs came from the Wertheimers, especially from Samson Wertheimer. |
Subjects depicted | |
Bibliographic references |
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Collection | |
Accession number | P.19-1941 |
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Record created | July 3, 2003 |
Record URL |
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