A Woman, said to be Mrs Fairfax thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Portrait Miniatures, Room 90a, The International Music and Art Foundation Gallery

A Woman, said to be Mrs Fairfax

Portrait Miniature
1650 (painted)
Artist/Maker
Place of origin

Portrait, head and shoulders, to left and looking to front; the sitter is wearing a necklace of pearls. Features in free, wiry hatches of brown and sanguine, with some blue-grey and pale gouache heightening, on a pale creamy carnation ground; hair in pale brown wash, hatched in darker colour with some touches of gouache; dress a blue wash, modelled in darker colour and heightened with white; the necklace in grey with white highlights; the background a plain brown wash formerly enclosed in a gold margin; on vellum put down on a leaf from a table-book.

Frame: Late nineteenth- or early twentieth-century silver-gilt oval locket, the convex back and rounded sides curving round to the bezel, then turned over the convex glass; the hanger of elongated tear-drop form of D-section, made from two wires soldered together and bifurcating into tapering spirals of five turns. Cf also Cat. Nos 65, 80 and 94, all re-framed by the Josephs.


Object details

Categories
Object type
TitleA Woman, said to be Mrs Fairfax (generic title)
Materials and techniques
Watercolour on vellum put down on a leaf from a table-book
Brief description
Portrait miniature of a woman, said to be Mrs Fairfax, watercolour on vellum, painted by Samuel Cooper, 1650.
Physical description
Portrait, head and shoulders, to left and looking to front; the sitter is wearing a necklace of pearls. Features in free, wiry hatches of brown and sanguine, with some blue-grey and pale gouache heightening, on a pale creamy carnation ground; hair in pale brown wash, hatched in darker colour with some touches of gouache; dress a blue wash, modelled in darker colour and heightened with white; the necklace in grey with white highlights; the background a plain brown wash formerly enclosed in a gold margin; on vellum put down on a leaf from a table-book.

Frame: Late nineteenth- or early twentieth-century silver-gilt oval locket, the convex back and rounded sides curving round to the bezel, then turned over the convex glass; the hanger of elongated tear-drop form of D-section, made from two wires soldered together and bifurcating into tapering spirals of five turns. Cf also Cat. Nos 65, 80 and 94, all re-framed by the Josephs.
Dimensions
  • Height: 48mm
  • Width: 39mm
Dimensions taken from John Murdoch Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum. London: The Stationery Office, 1997.
Style
Marks and inscriptions
'S.C./1650' (Signed in gold, lower left centre)
Credit line
Given by Mrs Emma Joseph
Object history
Provenance: S S Joseph Collection; presented by Mrs Emma Joseph, May 1941. According to Williamson, 'almost all' the best miniatures in the collection formed by the Josephs came from the Wertheimers, especially from Samson Wertheimer.
Subjects depicted
Bibliographic references
  • Murdoch, John. Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum. London: The Stationery Office, 1997.
  • Victoria and Albert Museum, Department of Engraving, Illustration and Design and Department of Paintings, Accessions 1941, London: HMSO, 1954.
Collection
Accession number
P.19-1941

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Record createdJuly 3, 2003
Record URL
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