The Lake of Lucerne: Mont Pilatus in the Distance thumbnail 1
The Lake of Lucerne: Mont Pilatus in the Distance thumbnail 2
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images
Image of Gallery in South Kensington
On display at V&A South Kensington
Paintings, Room 82, The Edwin and Susan Davies Galleries

This object consists of 2 parts, some of which may be located elsewhere.

The Lake of Lucerne: Mont Pilatus in the Distance

Oil Painting
1857 (painted)
Artist/Maker
Place of origin

Mount Pilatus is to the east of Lake Lucerne. The white ground, beneath the paint, gives this picture a brilliance of light and colour that is more usually found in a watercolour. Inchbold's visits to Switzerland between 1856 and 1859 were subsidised by the writer John Ruskin, who nevertheless severely criticised his work.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Oil Paintings
  • Frame
TitleThe Lake of Lucerne: Mont Pilatus in the Distance (popular title)
Materials and techniques
Oil on panel. This is oil on a plywood panel and very stable and flat.
Brief description
Oil painting depicting 'The Lake of Lucerne: Mont Pilatus in the Distance' by John William Inchbold. British School, 1857.
Physical description
Oil on panel landscape of Lake Lucerne in Switzerland. Signed and dated by the artist.
Dimensions
  • Estimate height: 35.5cm
  • Estimate width: 48.8cm
  • Frame height: 544cm
  • Frame width: 642cm
  • Frame depth: 53cm
Dimensions taken from Catalogue of British Oil Paintings 1820-1860, Ronald Parkinson, Victoria and Albert Museum, London: HMSO, 1990
Style
Marks and inscriptions
'I W Inchbold/57' (Signed and dated by the artist, vertically, lower left)
Credit line
Bequeathed by the late James R. Holliday Esq.
Object history
Bequeathed by James R. Holliday, 1927
Subjects depicted
Place depicted
Summary
Mount Pilatus is to the east of Lake Lucerne. The white ground, beneath the paint, gives this picture a brilliance of light and colour that is more usually found in a watercolour. Inchbold's visits to Switzerland between 1856 and 1859 were subsidised by the writer John Ruskin, who nevertheless severely criticised his work.
Bibliographic references
  • Parkinson, R., Victoria and Albert Museum, Catalogue of British Oil Paintings 1820-1860, London: HMSO, 1990, pp. 132-33
  • Victoria and Albert Museum, Department of Engraving, Illustration and Design and Department of Paintings, Accessions 1927, London: Board of Education, 1928.
Collection
Accession number
P.81-1927

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Record createdMay 19, 2003
Record URL
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