Vase and cover
- Place of origin:
Stoke-on-Trent, England (made)
- Date:
1851 (exhibited)
ca. 1851 (made)
- Artist/Maker:
Charles Meigh & Co. (maker)
- Materials and Techniques:
Stoneware, with relief moulding and painted decoration in enamels and gilding
- Museum number:
- Gallery location:
British Galleries, room 122f, case 3
- Download image
Object Type
This is one of two extravagant vases (with Musuem number CIRC.374&A-1963) designed to be solely exhibition pieces. They were never intended for general production as they were so large and expensive to make. However, they functioned as advertisements for the firm's skills. Meigh's may also have hoped that the Royal Family would have admired their exhibition vases sufficiently to buy them.
People
Charles Meigh & Son, of Old Hall Pottery, Hanley, was a family company which had begun in about 1790, and later became known simply as Old Hall. Most of the firm's products were earthenwares and stone china of a smaller more functional nature, although porcelain and Parian were exhibited at the Great Exhibition, where the company won a prize medal.
Subjects Depicted
These vases were popular exhibits at the Great Exhibition because of their finely painted views of the Crystal Palace on one side, and patriotic portraits of the Queen and Prince Consort on the other. To our eyes, these paintings are rather strangely juxtaposed with moulded gilt fronds, foliage and birds, but they demonstrate the prevalent Victorian interest in natural history and naturalistic forms.
Physical description
The vase is decorated with a portrait of Prince Albert on one side and an interior view of the Crystal Palace on the other.
Place of Origin
Stoke-on-Trent, England (made)
Date
1851 (exhibited)
ca. 1851 (made)
Artist/maker
Charles Meigh & Co. (maker)
Materials and Techniques
Stoneware, with relief moulding and painted decoration in enamels and gilding
Dimensions
Height: 101.6 cm, Width: 53.3 cm
Object history note
One of a pair made to commemorate the Great Exhibition of 1851Manufactured by Charles Meigh & Son, in Hanley, Stoke-on-Trent, Staffordshire
Historical significance: The vase shows the eclectic use of historical styles during the early Victorian period as well as the prevalent interest in naturalistic plant forms which had emerged partly as a result of the discoveries made in the field of natural history at this time in the use of motifs like the swirling tendril leaves rising up the side of the vase from the base.
Historical context note
This vase and its pair were made as exhibition pieces for display at the Great Exhibition of 1851. The intense competition for recognition and sales at exhibitions prompted manufacturers to invest in the development of new techniques and to employ the best designers, modellers and decorators to produce pieces specifically for show. Such exhibition pieces were never intended for general manufacture as they were extremely expensive to produce. They functioned as advertisements for the firm as they were often described in journals and magazines.
Descriptive line
Vase and cover, with relief moulding and painted decoration in enamels and gilding, with a potrait of Prince Albert and a view of the interior of the Crystal Palace. English, 1851. Made by Charles Meigh & Son.
Bibliographic References (Citation, Note/Abstract, NAL no)
See Object Information file in Ceramics and Glass Section office.
Exhibition History
Shanghai Expo (World Expo Museum, Shanghai 01/05/2010-15/11/2010)
Remapping the Museum (Serpentine Gallery 29/01/2001-01/04/2001)
Labels and date
British Galleries:
These vases were designed to show the technical accomplishment of their manufacturer.Their topical decoration includes portraits of Queen Victoria and Prince Albert, and images of the Crystal Palace. The vases helped to advertise the manufacturer and gave journals and magazines eye-catching examples to describe and illustrate. [27/03/2003]
Associated Events
Great Exhibition of the Works of Industry of all Nations
Production Note
Exhibited at the Great Exhibition of 1851.
One of a pair with CIRC.374-1963.
Materials
Stoneware; Enamel
Techniques
Painting (image-making); Gilding; Modelling (forming)
Subjects depicted
Crystal Palace; Albert Francis Augustus Charles Emmanuel (Prince of Saxe-Coburg-Gotha, Prince Consort of Queen Victoria of Great Britain,)
Categories
Ceramics; British Galleries; Royalty; Vases; Great Exhibition
Collection code
CER
