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Mug

  • Place of origin:

    Montague Close (possibly, made)
    Pickleherring (possibly, made)

  • Date:

    1628 (made)

  • Artist/Maker:

    Unknown

  • Materials and Techniques:

    Tin-glazed earthenware, with speckled manganese-purple ground, painted

  • Credit Line:

    Given by Samuel Telford Dutton

  • Museum number:

    C.271-1918

  • Gallery location:

    British Galleries, Room 56, The Djanogly Gallery, case 13

Object Type
The shape of this mug is entirely typical of coarse earthenware ale or beer mugs made in England towards the middle of the 17th century. The handle is effective rather than elegant.

People
We know nothing about the person for whom the mug was made. But, in view of the fact that England was highly centralised and that London-made delftware was mainly aimed either at a local market or at the colonies in North America, we may assume that the recipient was a Londoner. It is yet another example of the remarkable survival of a treasured family possession - one with no intrinsic value whatever.

Design & Designing
One of the big advantages of tin-glazed earthenware ('delftware') over other forms of pottery, and the main reason for it being used for pharmacy jars, was its ability to carry painted inscriptions. Here the decorator has laid damp paper over the area of white tin-glaze to be inscribed, and then sprinkled powdered manganese over the rest of the mug to simulate the mottled appearance of German salt-glazed stoneware. The name was then added in cobalt blue.

Physical description

Tin-glazed earthenware mug of bulbous form with a handle, two raised rings on the neck. Speckled blue and manganese-purple. There is a blue line around the rim and around the foot. A white panel below the rim is inscribed '1628 ELIZABETH BROCKLEFIELD' in blue. The inside is white.
Body colour: Mid buff.
Glaze: Dull white.
Shape: Underside unglazed, slightly concave, without foot-rim. Handle sharply rounded on outside, flat on inside with rounded terminal. Prominent turning grooves on the interior. Two raised rings on the neck.

Place of Origin

Montague Close (possibly, made)
Pickleherring (possibly, made)

Date

1628 (made)

Artist/maker

Unknown

Materials and Techniques

Tin-glazed earthenware, with speckled manganese-purple ground, painted

Marks and inscriptions

'1628 ELIZABETH BROCKLEHURST'
Decoration; painting (image-making); 1628

Dimensions

Height: 12.7 cm, Diameter: 10 cm, Width: 12.5 cm including handle

Object history note

Said to have descended in the family to John (1711-97) and Elizabeth Hurst (ne Broadhurst, d.1804), Sutton, Cheshire. John (1746-1825) and Elizabeth Hurst (ne White, 1752-91), Macclesfield, Cheshire. Ellen Bancroft (ne Hurst, 1783-1835).
Exhibited: Elizabeth Dutton (ne Bancroft. 1812-1891). Elizabeth Hurst, Dutton. Given by Mr Samuel Telford Dutton, A.M.I.C.E., Southall, Middlesex, 1918.

Made at the Southwark, Montague Close or Pickleherring factory, London

Probably made to celebrate a christening

Historical significance: This is the earliest known dated mug. The fashion for speckled manganese-purple grounds with bands enclosing an inscription in blue continues into the late seventeenth century. Excavated fragments show that this from of decoration was in use at numerous potteries in London, Brislington and Bristol.

Historical context note

It seems probable that this mug was made to celebrate a christening.

Descriptive line

Tin-glazed earthenware mug of bulbous form, speckled with an inscription, '1628 ELIZABETH BROCKLEHURST'. British (Southwark), 1628.

Bibliographic References (Citation, Note/Abstract, NAL no)

Archer, Michael. Delftware: The Tin-Glazed Earthenware of the British Isles. A Catalogue of the Collection in the Victoria and Albert Museum. London: The Stationery Office, 1997. p.242, Cat. No.C.2. ISBN 0 11 290499 8
Garner, p.6 and Pl: 6.
Lipski and Archer, No: 705.
Garner and Archer, p.6 and Pl: 6.

Labels and date

British Galleries:
TIN-GLAZED EARTHENWARE

The cosmopolitan style of early English tin-glazed earthenware reflects the fact that the technology for making it came to England via The Netherlands. The powerful image on the dish, La Fecondit‚ (Fruitfulness), was taken from a design by the French potter Bernard Palissy (1510-1590), while the hugely popular 'bird-on-rock' design came from Chinese export porcelain. Occasionally, soft and brittle tin-glazed earthenware mugs or bottles even imitated the speckled appearance of much tougher German stonewares. [27/03/2003]

Production Note

The only potteries in existence in London in 1628 were Montague Close and Pickleherring.

Materials

Tin-glazed earthenware

Techniques

Painting (image-making); Glazed

Categories

Delftware; Ceramics; British Galleries

Collection

Ceramics Collection

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