The Valley of the Stour with Dedham in the Distance
Oil Painting
ca. 1800 (painted)
ca. 1800 (painted)
Artist/Maker | |
Place of origin |
This painting depicts the Stour valley in Essex. The river passes under the bridge at Stratford St Mary and meanders through Dedham, with its high church tower, to the estuary at Harwich. The clear naturalism and sense of light owe much to Constable's practice of making oil sketches in the open air.
Object details
Category | |
Object type | |
Title | The Valley of the Stour with Dedham in the Distance (popular title) |
Materials and techniques | oil on paper laid on canvas |
Brief description | Oil painting, 'The Valley of the Stour, with Dedham in the Distance', John Constable, ca. 1800 |
Physical description | Oil painting |
Dimensions |
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Style | |
Credit line | Given by Isabel Constable |
Object history | Given by Isabel Constable, 1888 |
Historical context | In 1805 Constable exhibited 'A Landscape: Moonlight' at the Royal Academy. According to an unpublished entry in the Diary, he called on Farington on 1 June to say that he had been engaged to paint an altarpiece for a country church. This picture was probably the altarpiece for Brantham Curch which Leslie assigns to the previous year (Beckett, I, pp. 18-9) G Reynolds, 1973, p. 52. |
Subject depicted | |
Place depicted | |
Summary | This painting depicts the Stour valley in Essex. The river passes under the bridge at Stratford St Mary and meanders through Dedham, with its high church tower, to the estuary at Harwich. The clear naturalism and sense of light owe much to Constable's practice of making oil sketches in the open air. |
Bibliographic references |
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Other number | 63 - Reynolds catalogue no. |
Collection | |
Accession number | 321-1888 |
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Record created | May 13, 2003 |
Record URL |
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