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Metalwork Design

1805
Artist/Maker
Place of origin

Design for a silver soup tureen on stand, Profile, full size 225 x 352.
The finial is formed as knotted snakes. Waterleaves on the base of the body and on the cover. Around the body a band of rosettes and palmettes. Flat top projecting handles. The stand on acanthus feet of dish shaped profile with a cone finial underneath.


Object details

Object type
Materials and techniques
Pencil, pen and grey and black ink and grey wash. On wove paper. Laid down on card.
Brief description
Design for a silver soup tureen on stand, by Jean Jacques Boileau (active 1787 and died after 1851) circa 1805
Physical description
Design for a silver soup tureen on stand, Profile, full size 225 x 352.
The finial is formed as knotted snakes. Waterleaves on the base of the body and on the cover. Around the body a band of rosettes and palmettes. Flat top projecting handles. The stand on acanthus feet of dish shaped profile with a cone finial underneath.
Dimensions
  • Height: 314mm
  • Width: 467mm
Style
Object history
Jean Jacques Boileau came from France to London in about 1787 where he carried out murals for Henry Holland at Carlton House. He also worked as a decorator and designer of furniture at Fonthill Splendens for William Beckford and finished printed wallpaper for Frederick Eckhardt.
Boileau is known to have designed silver between 1799 and about 1805, but elements from his design language and certain types of objects continued to be used in silver production into the 1820s.
His silver style was strongly influenced by the designs of Jean Guillaume Moitte for the Parisian maker Robert Joseph Auguste in the 1780s to the 1790s but was also affected by prints by Charles Heathcote Tatham, to whose books of etchings he subscribed in 1799, and Giovanni Battista Piranesi.
He can be credited with introducing the pure ‘Grecian’ style into early 19th century British silver, as well as an Egyptian style derived from that used in France.
His earliest known silver designs were for the goldsmith Paul Storr and they later became part of the repertoire of Rundell, Bridge and Rundell.
His silver style can also be found in objects made in ormolu.
Boileau’s designs for silver in the Victoria and Albert Museum include both ideas for pieces that are known to have been made as well as speculative designs, which were probably not carried out. Also in the collection area few drawings by other hands in Boileau’s style, although nothing is known about him having had any pupils.
Boileau’s presence is recorded again in 1827, when Augustus Pugin praises his talents as a designer during the renovation works of Windsor Castle. Three carpet designs by him for Windsor Castle are in the Royal Collection (RCIN 931283, RCIN 931286, RCIN 931288).

This design contains decorative elements of classical inspiration that Jean Jacques Boileau often combines in designs for silver.
This and the other drawings by J. J. Boileau and his school were probably in the collection of A. C. Pugin and sold at Mr Wheatley’s rooms,4th June 1843, lot 469, Boileau’s (J.) “Series of drawings appropriated to the gold and silversmiths”, bought by Williams for 3 shillings.
Very similar finial and waterleaves decoration appear on 8390.19.
Bibliographic reference
Snodin, Connoisseur, J. J. Boileau A Forgotten Designer of Silver, page 124 to 133. S. Jervis, Penguin Dictionary of Design and Designers, Penguin Books 1984
Collection
Accession number
8525:2

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Record createdJune 30, 2009
Record URL
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