Metalwork Design
1835
Artist/Maker | |
Place of origin |
A drawing of a silver dish, shown in plan. Perhaps full size 283 x 359.
Of oval form, with a sunk centre. The border showing a vine scroll with putti, in the centre a scene of Bacchic revelry including Apollo and Silenus.
Of oval form, with a sunk centre. The border showing a vine scroll with putti, in the centre a scene of Bacchic revelry including Apollo and Silenus.
Object details
Categories | |
Object type | |
Materials and techniques | Pencil, pen and ink and brown wash and chinese white on thin brown card. |
Brief description | A design for a silver dish by Thomas Sharp (1805- 1882), circa 1835 |
Physical description | A drawing of a silver dish, shown in plan. Perhaps full size 283 x 359. Of oval form, with a sunk centre. The border showing a vine scroll with putti, in the centre a scene of Bacchic revelry including Apollo and Silenus. |
Dimensions |
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Style | |
Marks and inscriptions | Signed 'Thos. Sharp' and later inscribed 'Fruit dish Thomas Sharp d 1876'. |
Object history | Probably related to the 'Bacchanalian subject, embossed in silver sheet’ shown at the Royal Academy Exhibition, 1835, No. 994. The verse which accompanied the piece is a description of the scene on this dish: <"So, from the joyous feasta reeling throng/ Of revellers poured in staggering groupes along/ Satyrs and sylvan gods; and there in state/ Silenus on his solemn donkey sate,/Whose yelding haunches sunk upon the ground/ Drunk as the cavalcade that rolled around;/ And there, all stepped in wine, was Bacchus found/ With charms of love and drunken gladness bound,/ While in their train did bright-eyed wood-nymphs join/ With lute and cymbal chaunting mighty wine.- MS. Poems." > Bought on 6th July 1880 from the dealer R. Jackson for 5s. Thomas Sharp was a sculptor, chaser and wax modeller, who also designed silver. He attended the Royal Academy schools in 1831 and gained a silver medal three years later.That he may have been connected with Rundell, Bridge and Rundell is suggested by the tankard design E. 357- 1886, and the fact that two persons named Sharp, Cato and Josiah, were managers of Rundell’s Dean Street workshop until 1833 (J. Culme, Nineteenth Century Silver, 1977, p. 81). |
Subject depicted | |
Bibliographic reference | A Biographical Dictionary of Sculptors in Britain, 1660-1851,
http://web.archive.org/web/20221213172418/http://liberty.henry-moore.org/henrymoore/sculptor/browserecord.php?-action=browse&-recid=2411&from_list=true&x=0 |
Collection | |
Accession number | 8661C |
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Record created | June 30, 2009 |
Record URL |
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