Throwing off Her Weeds
Oil Painting
1846 (painted)
1846 (painted)
Artist/Maker | |
Place of origin |
A young widow is impatient to discard her black mourning clothes (known as widow's weeds) because she has plans to marry again. The seamstress is showing her a lilac-coloured dress, a colour considered appropriate for a woman in the last phase of mourning. At this time, the mourning period for a husband was expected to be at least two years.
Originally the picture included a figure of a soldier, the widow's new suitor, entering through the doorway. Critics thought this was vulgar, and Redgrave painted the figure out, but he kept a number of other visual clues to suggest that the woman is soon to be married again: there is a bridal bonnet in the hat-box in the foreground, and a sprig of orange blossom (a flower which was usually worn or carried at weddings) on the dressing table.
Originally the picture included a figure of a soldier, the widow's new suitor, entering through the doorway. Critics thought this was vulgar, and Redgrave painted the figure out, but he kept a number of other visual clues to suggest that the woman is soon to be married again: there is a bridal bonnet in the hat-box in the foreground, and a sprig of orange blossom (a flower which was usually worn or carried at weddings) on the dressing table.
Object details
Categories | |
Object type | |
Title | Throwing off Her Weeds (popular title) |
Materials and techniques | oil on panel |
Brief description | Oil painting by Richard Redgrave entitled 'Throwing off her Weeds'. Great Britain, 1846. |
Physical description | Oil painting |
Dimensions |
|
Styles | |
Marks and inscriptions | 'Richd Redgrave 1846' (Signed and dated by the artist on hat box, lower right) |
Credit line | Given by John Sheepshanks, 1857 |
Object history | Given by John Sheepshanks, 1857 |
Subjects depicted | |
Summary | A young widow is impatient to discard her black mourning clothes (known as widow's weeds) because she has plans to marry again. The seamstress is showing her a lilac-coloured dress, a colour considered appropriate for a woman in the last phase of mourning. At this time, the mourning period for a husband was expected to be at least two years. Originally the picture included a figure of a soldier, the widow's new suitor, entering through the doorway. Critics thought this was vulgar, and Redgrave painted the figure out, but he kept a number of other visual clues to suggest that the woman is soon to be married again: there is a bridal bonnet in the hat-box in the foreground, and a sprig of orange blossom (a flower which was usually worn or carried at weddings) on the dressing table. |
Bibliographic reference | Catalogue of British Oil Paintings 1820-1860, Ronald Parkinson, Victoria and Albert Museum, London: HMSO, 1990, pp. 241-43 |
Collection | |
Accession number | FA.170[O] |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | May 8, 2003 |
Record URL |
Download as: JSONIIIF Manifest