Armchair thumbnail 1
Armchair thumbnail 2
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Image of Gallery in South Kensington
Not currently on display at the V&A
On display at Houghton Hall, Norfolk

Armchair

ca. 1732 (made)
Artist/Maker
Place of origin

This chair belongs to the large set commissioned by Sir Robert Walpole, England's first prime minister, for the State Apartment at Houghton Hall, Norfolk. The house was built between 1722 and 1735, and the State Apartment was furnished by about 1732. The seat furniture is carved naturalistically with lion's masks and legs, and gilded on a ground made gritty with sand. The covers are of green velvet, to match the State Bed designed by William Kent.

Although this set of chairs is very different in style from the suite in the Second State Apartment at Houghton (V&A Museum nos W.1-22-2002), it may be by the same maker, possibly Thomas Roberts junior, who is known to have worked for Walpole. The same rather distinctive striped ticking is used for the upholstery foundation.

On loan to Houghton Hall.


Object details

Category
Object type
Materials and techniques
Legs and seat frame of beech, pine and walnut, oil gilded, partially over a sanded ground; cover of green silk velvet, edged with metal-thread braid; structural upholstery of linen, linen webbing and horsehair
Brief description
Armchair, carved and gilded walnut, with green velvet cover trimmed with metal-thread braid, Britain, ca. 1732
Physical description
Armchair, the back rectangular with rounded top corners, and arms, part upholstered, with ends carved with masks on carved supports; cabriole legs terminating in paw feet, the tops of the legs carved with lion masks, the deep seat rails curved in profile and carved in the centre front with a satyr mask and in the centre of the sides with shells, all flanked by scrolling foliage. Covered in green velvet.

This armchair has a fixed cover of lime-green velvet with metal-thread braid
Dimensions
  • Maximum height: 90.2cm
  • Approx., maximum, across arm ends width: 74.5cm
  • Across back swell of arms width: 69cm
  • At feet width: 67.2cm
  • Of seat width: 57.5cm
  • Maximum, at feet depth: 74.5cm
  • Along canted side of seat depth: 55.2cm
Credit line
Accepted by HM Government in lieu of Inheritance Tax and allocated to the Victoria and Albert Museum for display at Houghton Hall
Production
Though very different in style from the burr-walnut and gilt chairs at Houghton, the use of the same ticking base cloth (collated between W.2-2002 and W.27-2002) suggests that they were made -- or at least upholstered -- in the same workshop, and quite close to each other in date. The burr-walnut and gilt suite has been attributed to Thomas Roberts junior, on the strength of his single surviving bill to Robert Walpole of c. 1729, which mainly relates to furniture supplied for Walpole's London houses (but which includes the supply of caffoy for the Saloon at Houghton). The difference in style is probably explicable in terms of the burr-walnut and gilt suite being made to suit the pre-existing embroidered bed; and in the present state of knowledge it seems reasonable to suppose that both suites were manufactured and upholstered entirely in one workshop, most likely that of Thomas Roberts junior.
Summary
This chair belongs to the large set commissioned by Sir Robert Walpole, England's first prime minister, for the State Apartment at Houghton Hall, Norfolk. The house was built between 1722 and 1735, and the State Apartment was furnished by about 1732. The seat furniture is carved naturalistically with lion's masks and legs, and gilded on a ground made gritty with sand. The covers are of green velvet, to match the State Bed designed by William Kent.

Although this set of chairs is very different in style from the suite in the Second State Apartment at Houghton (V&A Museum nos W.1-22-2002), it may be by the same maker, possibly Thomas Roberts junior, who is known to have worked for Walpole. The same rather distinctive striped ticking is used for the upholstery foundation.

On loan to Houghton Hall.
Bibliographic references
  • West, Annabel, Fringe, Frog and Tassel. The Art of the Trimmings-Maker in Interior Decoration in Britain and Ireland (London: Philip Wilson and the National Trust, 2019, ISBN 978 1 78130 075 6), pp. 97-98, fig. 5:13
  • Geoffrey Beard, Upholsterers and Interior Furnishing in England 1530-1840 (New Haven and London: Yale University Press, 1997), p. 181.
  • Gill, Kathryn, 'Eighteenth-century close fitting detachable covers preserved at Houghton Hall: A techinical study', in Kathryn Gill and Dinah Eastop eds., Upholstery Conservation Principles and Practice (Oxford, 2001), pp. 133-144.
  • Susan Weber and Julius Bryant, eds. William Kent: Designing Georgian Britain (London and New Haven: Yale University Press, 2013) p. 473, illustrates an image of a similar set at Downing Street.
Collection
Accession number
W.49-2002

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Record createdApril 30, 2003
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