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Dining Room Table

Furniture Design
ca. 1855 - 1881 (made)
Artist/Maker
Place of origin

William Burges began designing furniture early in his career, in the mid-1850s, and continued until his death in 1881. Generally heavy, sculptural, extensively carved, and with medieval decorations, his furniture stood out in the 19th century particularly for its unique application of painted decoration. Following a medieval fashion of design, Burges applied painted decoration to his furniture to correspond to greater painted schemes on surrounding walls and ceilings. He displayed a number of such painted pieces at the International Exhibition of 1862 in the Medieval Court. Despite receiving mixed reviews for his use of colours, decorative subjects, and carpentry at this early date, Burges’ furniture proved very popular in succeeding decades. He continued to design in this bold fusion of Pre-Raphaelitism and the Gothic Revival the duration of his career.


Object details

Categories
Object type
TitleDining Room Table (assigned by artist)
Materials and techniques
Pencil, pen, and watercolour on paper
Brief description
William Burges. Design for a dining table, English, ca. 1855 - 1881.
Physical description
Pencil, pen, and watercolour drawing of a circular dining room table. A plan of the tabletop is drawn in the upper half of the sheet. It shows the shape of the tabletop as a circle then as an ellipse when the leaves are in place. A section drawing in the bottom half of the sheet reveals castors below the base, cylindrical legs, and inner elements attached to the tabletop.
Dimensions
  • Width: 44.1cm
  • Length: 76cm
Styles
Marks and inscriptions
  • 'Dining Room Table' (Inscribed on the back of the sheet.)
  • '1/4 full scale' (Inscribed in the bottom right corner.)
  • (Labels and dimensions of trees, leaves, and legs throughout.)
Subject depicted
Summary
William Burges began designing furniture early in his career, in the mid-1850s, and continued until his death in 1881. Generally heavy, sculptural, extensively carved, and with medieval decorations, his furniture stood out in the 19th century particularly for its unique application of painted decoration. Following a medieval fashion of design, Burges applied painted decoration to his furniture to correspond to greater painted schemes on surrounding walls and ceilings. He displayed a number of such painted pieces at the International Exhibition of 1862 in the Medieval Court. Despite receiving mixed reviews for his use of colours, decorative subjects, and carpentry at this early date, Burges’ furniture proved very popular in succeeding decades. He continued to design in this bold fusion of Pre-Raphaelitism and the Gothic Revival the duration of his career.
Collection
Accession number
8829:34

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Record createdJune 30, 2009
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