Teapot and Cover
1785-1790 (made)
| Artist/Maker | |
| Place of origin |
Object Type
This teapot is highly decorative and would probably have been used when entertaining. Tea was initially an expensive import from China, but became more widely drunk as prices fell during the 18th century.This teapot was made soon after import duties on tea were drastically reduced in 1784, after which the average retail price dropped by almost three shillings a pound. In 1785 Bohea, the most popular type of black (fermented) tea, cost about two shillings a pound, and green (unfermented) tea cost between three and five shillings. Within ten years of this legislation, figures for imports of tea had quadrupled.
Materials & Making
The teapot is so finely potted that the base is translucent. The high quality of the materials and hand finishing would have confined its use to wealthy customers. Attention to detail extends to the internal strainer at the base of the spout, which is dome-shaped and elaborately pierced.
Design & Designing
The figure composition was originally made in 'cut Indian paper' by Elizabeth, Lady Templetown, an amateur artist. Wedgwood reproduced 14 reliefs after her designs and acknowledged her 'exquisite taste' and 'charming groups' in the 1787 catalogue of his ornamental wares. He probably solicited designs from her hoping that they would appeal to female taste.
This teapot is highly decorative and would probably have been used when entertaining. Tea was initially an expensive import from China, but became more widely drunk as prices fell during the 18th century.This teapot was made soon after import duties on tea were drastically reduced in 1784, after which the average retail price dropped by almost three shillings a pound. In 1785 Bohea, the most popular type of black (fermented) tea, cost about two shillings a pound, and green (unfermented) tea cost between three and five shillings. Within ten years of this legislation, figures for imports of tea had quadrupled.
Materials & Making
The teapot is so finely potted that the base is translucent. The high quality of the materials and hand finishing would have confined its use to wealthy customers. Attention to detail extends to the internal strainer at the base of the spout, which is dome-shaped and elaborately pierced.
Design & Designing
The figure composition was originally made in 'cut Indian paper' by Elizabeth, Lady Templetown, an amateur artist. Wedgwood reproduced 14 reliefs after her designs and acknowledged her 'exquisite taste' and 'charming groups' in the 1787 catalogue of his ornamental wares. He probably solicited designs from her hoping that they would appeal to female taste.
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 2 parts.
|
| Materials and techniques | Jasper with green dip and applied reliefs |
| Brief description | Teapot and cover of green jasper-dip and applied reliefs, designed by Lady Elizabeth Templetown, made at the factory of Josiah Wedgwood and Sons Ltd., Etruria, 1785-1790. |
| Physical description | Teapot and cover of green jasper-dip and applied reliefs. |
| Dimensions |
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| Marks and inscriptions | 'WEDGWOOD' (Impressed) |
| Gallery label | British Galleries:
Wedgwood's Jasper ware was a fine-grained stoneware. It could be stained a range of colours. These provided an attractive contrasting ground for his relief designs. The technical perfection of the material combined with the quality of its decoration ensured the success of Jasper.(27/03/2003) |
| Credit line | Given by Lady Charlotte Schreiber |
| Subjects depicted | |
| Summary | Object Type This teapot is highly decorative and would probably have been used when entertaining. Tea was initially an expensive import from China, but became more widely drunk as prices fell during the 18th century.This teapot was made soon after import duties on tea were drastically reduced in 1784, after which the average retail price dropped by almost three shillings a pound. In 1785 Bohea, the most popular type of black (fermented) tea, cost about two shillings a pound, and green (unfermented) tea cost between three and five shillings. Within ten years of this legislation, figures for imports of tea had quadrupled. Materials & Making The teapot is so finely potted that the base is translucent. The high quality of the materials and hand finishing would have confined its use to wealthy customers. Attention to detail extends to the internal strainer at the base of the spout, which is dome-shaped and elaborately pierced. Design & Designing The figure composition was originally made in 'cut Indian paper' by Elizabeth, Lady Templetown, an amateur artist. Wedgwood reproduced 14 reliefs after her designs and acknowledged her 'exquisite taste' and 'charming groups' in the 1787 catalogue of his ornamental wares. He probably solicited designs from her hoping that they would appeal to female taste. |
| Bibliographic references |
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| Other number | Sch. II 548&A - Schreiber number |
| Collection | |
| Accession number | 414:1152/&A-1885 |
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| Record created | April 4, 2003 |
| Record URL |
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