Bracket Clock
ca. 1730 (made)
| Artist/Maker | |
| Place of origin |
Object Type
Bracket clocks appeared in the second half of the 17th century, following the invention of the pendulum in 1657. Their name implies that such clocks stood on brackets, and sometimes matching brackets were supplied by the clock maker. More often, however, these clocks had no fixed position and were moved from one place to another.
People
Both the clock and its movement are signed by James Markwick the Younger. Markwick was admitted to the Freedom of the Clockmakers' Company in 1692 and became a Master in 1720. His father, James Markwick, was also a clockmaker (see museum no. 1148-1893).
Trading
During the first half of the 18th century a thriving trade in clocks developed between England and Turkey, and also Spain. Clocks made for the Turkish market were often engraved with Arabic numerals. Their cases were usually japanned and fitted with brass or silver mounts (see also museum no. 365-1897). Sealing-wax red, which was an English speciality, appears to have been a popular colour. Combined with gold, it evoked a sense of luxury and exoticism. Perhaps it was this that so appealed to the Turkish and Spanish markets.
Design & Designing
The case decoration is typical of the Chinoiserie style, which imitated or evoked Chinese art. The cloudbands on the top and base, and the rocks, flowers and dragonflies to the left and right of the dial, are all features of Chinoiserie design, while the gold diaper pattern, brass scrollwork and torch-bearing cherubs are European motifs.
Bracket clocks appeared in the second half of the 17th century, following the invention of the pendulum in 1657. Their name implies that such clocks stood on brackets, and sometimes matching brackets were supplied by the clock maker. More often, however, these clocks had no fixed position and were moved from one place to another.
People
Both the clock and its movement are signed by James Markwick the Younger. Markwick was admitted to the Freedom of the Clockmakers' Company in 1692 and became a Master in 1720. His father, James Markwick, was also a clockmaker (see museum no. 1148-1893).
Trading
During the first half of the 18th century a thriving trade in clocks developed between England and Turkey, and also Spain. Clocks made for the Turkish market were often engraved with Arabic numerals. Their cases were usually japanned and fitted with brass or silver mounts (see also museum no. 365-1897). Sealing-wax red, which was an English speciality, appears to have been a popular colour. Combined with gold, it evoked a sense of luxury and exoticism. Perhaps it was this that so appealed to the Turkish and Spanish markets.
Design & Designing
The case decoration is typical of the Chinoiserie style, which imitated or evoked Chinese art. The cloudbands on the top and base, and the rocks, flowers and dragonflies to the left and right of the dial, are all features of Chinoiserie design, while the gold diaper pattern, brass scrollwork and torch-bearing cherubs are European motifs.
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 4 parts.
|
| Materials and techniques | Case of wood, with japanned (painted) decoration |
| Brief description | Bracket clock, English, ca. 1730, made by James Markwick the Younger |
| Physical description | Bracket clock in a wooden case with chinoiserie decoration. The arched dial has a silvered hour-circle, hands of pierced steel and a day-of-the-month aperture; the spandrel ornament of brass in a design of masks surrounded by scrollwork. The back-plate is engraved with scrollwork, and the pendulum is engraved with a floral design. On a convex silvered disc is engraved 'Tarkwick London' and on either side are cherubs holding torches of brass. In the spandrels of the arched door and at the side below the top are panels of pierced fretwork decoration. The case is decorated with diaper patterns and floral ornament in red and gold on a black ground. |
| Dimensions |
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| Marks and inscriptions | 'Markwick, London' (Maker's identification; on the arched dial; signed) |
| Gallery label | British Galleries:
The cabinet-makers who specialised in making clock cases were often conservative in their design. Although this clock was made at a time when Palladianism was dominant, it was decorated in a style first fashionable in the late 17th century. It is japanned (painted) in imitation of Chinese lacquer decoration.(27/03/2003) |
| Credit line | Bequeathed by Mr William T. Johnson |
| Object history | Made in London by James Markwick the Younger (active 1720); signed 'Markwick, London' on the arched dial |
| Summary | Object Type Bracket clocks appeared in the second half of the 17th century, following the invention of the pendulum in 1657. Their name implies that such clocks stood on brackets, and sometimes matching brackets were supplied by the clock maker. More often, however, these clocks had no fixed position and were moved from one place to another. People Both the clock and its movement are signed by James Markwick the Younger. Markwick was admitted to the Freedom of the Clockmakers' Company in 1692 and became a Master in 1720. His father, James Markwick, was also a clockmaker (see museum no. 1148-1893). Trading During the first half of the 18th century a thriving trade in clocks developed between England and Turkey, and also Spain. Clocks made for the Turkish market were often engraved with Arabic numerals. Their cases were usually japanned and fitted with brass or silver mounts (see also museum no. 365-1897). Sealing-wax red, which was an English speciality, appears to have been a popular colour. Combined with gold, it evoked a sense of luxury and exoticism. Perhaps it was this that so appealed to the Turkish and Spanish markets. Design & Designing The case decoration is typical of the Chinoiserie style, which imitated or evoked Chinese art. The cloudbands on the top and base, and the rocks, flowers and dragonflies to the left and right of the dial, are all features of Chinoiserie design, while the gold diaper pattern, brass scrollwork and torch-bearing cherubs are European motifs. |
| Associated object | W.7:2-1944 (Object) |
| Collection | |
| Accession number | W.7:1 to 4-1944 |
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| Record created | March 27, 2003 |
| Record URL |
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