Object Type
This is one of a pair of chairs, which cost £25 80p in 1823. The set also included four ottomans (a low upholstered sofa) and eight small chairs and stools. The original upholstery was grey-striped and patterned silk, trimmed with cord and gimp.
Places
Northumberland House, London, was the home of the 3rd Duke of Northumberland. After structural alterations to the south wing of the house, in 1822 he commissioned Morel & Hughes to refit all the interiors, including the suite of grand reception rooms on the first floor. The anti-room, for which this chair was provided, was the first of this sequence of rooms, reached by the Grand Staircase. In 1874 the house was demolished to make way for new roads.
People
Nicolas Morel and Robert Hughes were partners in a cabinet-making and upholstery business at 13 Great Marlborough Street, London, from 1805 until 1826. Their commissions included work at Carlton House, London, for the Prince of Wales, later the Prince Regent, and several aristocratic clients. As well as new furniture and upholstery for Northumberland House, the firm supplied protective loose covers of leather, linen and cotton for this chair and the rest of the set.
Place of Origin
London, England (made)
Date
1823 (made)
Artist/maker
Wyatt, Benjamin Dean, born 1755 - died 1852 (possibly, designer)
Morel and Hughes (maker)
Materials and Techniques
Astronium fraxinifolium (also known as Gonzalo Alvez/ Zebrawood/Grenadille), with carved and gilded motifs; replacement upholstery
Dimensions
Height: 95 cm, Width: 64 cm, Depth: 78 cm
Object history note
The French term, bergère, was used for this type of low, comfortable, upholstered chair. This example is one of a pair, part of a suite of furniture commissioned by the 3rd Duke of Northumberland from Morel & Hughes, the London firm of upholsterers and cabinet-makers. The suite was supplied for the Ante-Room to the Crimson Drawing Room, Northumberland House, London, in 1823. The two bergères were made of Astronium fraxinifolium, also known as gonzalo alvez or zebrawood, which was supplied by the Duke.
The bill, dated 31st March 1823 (Northumberland Archives UI 64) lists:
'2 bergeres, from the antique, of your Graces aburra wood, highly polished, & richly carved & gilt with ornamented trusses, foliage leaves, scroll sides, &c the tablet back, & seats stuffed with the best horsehair in canvas, standing on brass socket castors
£225 16s
To covering the seats, backs, & tablets of the bergeres with grey silk, lined with calico, & finished with silk gimps, & cord in suit £5 18s'
The two bergères, and six side chairs from the suite, were sold from the collection of David Style at Wateringbury Place by Christie's, 1 June 1978. A squab cushion from one of the side chairs is also in the Museum's collection (Museum No. W.46-1980). The second bergère, and two of the side chairs, were acquired by Towneley Hall Art Gallery, Burnley.
Other pieces from the suite, including two side chairs and eight stools, remain in the collection of the Duke of Northumberland.
Descriptive line
Bergère, zebrawood, with carved and gilded motifs, replacement upholstery; made by Morel and Hughes for Northumberland House, London, 1823
Labels and date
British Galleries:
The bill for this chair describes it as a 'bergère', the French word for a low, comfortable armchair. The shape is based on antique Greek forms but the decoration came from more recent French Empire designs. Richly coloured wood from the East Indies was combined with carved and gilded motifs imitating gilt-bronze mounts. [27/03/2003]
Categories
Furniture
Collection code
FWK
