Sussex chair
Armchair
1870-1890 (made), ca. 1860 (designed)
1870-1890 (made), ca. 1860 (designed)
On display at V&A South Kensington
British Galleries, Room 125, Edwin and Susan Davies Gallery| Artist/Maker | |
| Place Of Origin |
Object Type
This chair was named after a country chair found in Sussex, which inspired the design with the turned frame and rush seat. Similar types of chairs, with imitation bamboo frames and rush seats, were fashionable between 1790 and 1820.
Ownership & Use
William Morris and his wife, Jane, used Sussex chairs in their first home, Red House, Bexleyheath, Kent, from 1860 and subsequently in their London house, Kelmscott House, Hammersmith. Morris's great friend, the artist Edward Burne-Jones (1833-1898) had Sussex armchairs in his studio, as did the sculptor, Alfred Gilbert (1854-1934). Robert Edis recommended this chair as 'excellent, comfortable and artistic' in his influential book, 'Decoration and Furnishing of Town Houses in 1881'. Examples from the Sussex range were supplied for students' rooms at Newnham College, Cambridge, and for galleries in the Fitzwilliam Museum, Cambridge.
Trading
The Sussex range of modest seat furniture, which started with this armchair and a single chair, expanded as a result of the commercial success of the design. Eventually it included corner chairs, children's chairs, and settles. A whole page was devoted to the Sussex range in the firm's catalogue, about 1912, where the armchair was priced at 9s 9d (49p). Other firms, particularly Liberty & Co. and Heals, produced their own versions of this popular design.
This chair was named after a country chair found in Sussex, which inspired the design with the turned frame and rush seat. Similar types of chairs, with imitation bamboo frames and rush seats, were fashionable between 1790 and 1820.
Ownership & Use
William Morris and his wife, Jane, used Sussex chairs in their first home, Red House, Bexleyheath, Kent, from 1860 and subsequently in their London house, Kelmscott House, Hammersmith. Morris's great friend, the artist Edward Burne-Jones (1833-1898) had Sussex armchairs in his studio, as did the sculptor, Alfred Gilbert (1854-1934). Robert Edis recommended this chair as 'excellent, comfortable and artistic' in his influential book, 'Decoration and Furnishing of Town Houses in 1881'. Examples from the Sussex range were supplied for students' rooms at Newnham College, Cambridge, and for galleries in the Fitzwilliam Museum, Cambridge.
Trading
The Sussex range of modest seat furniture, which started with this armchair and a single chair, expanded as a result of the commercial success of the design. Eventually it included corner chairs, children's chairs, and settles. A whole page was devoted to the Sussex range in the firm's catalogue, about 1912, where the armchair was priced at 9s 9d (49p). Other firms, particularly Liberty & Co. and Heals, produced their own versions of this popular design.
object details
| Categories | |
| Object Type | |
| Materials and Techniques | Ebonised beech, with a rush seat |
| Brief Description | Armchair, ebonised beech, with turned ornament and a rush seat. Britain (London), 1870-1890. Probably designed by Philip Webb and made by Morris & Co. |
| Physical Description | Armchair, ebonised beech with turned ornament and a rush seat. |
| Dimensions |
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| Gallery Label |
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| Object history | Possibly designed by Philip Webb (born in Oxford, 1831, died in Worth, West Sussex, 1915); made by Morris, Marshall, Faulkner & Co., and later by Morris & Co., London |
| Production | Designed about 1860; this example made 1870 - 1890 |
| Summary | Object Type This chair was named after a country chair found in Sussex, which inspired the design with the turned frame and rush seat. Similar types of chairs, with imitation bamboo frames and rush seats, were fashionable between 1790 and 1820. Ownership & Use William Morris and his wife, Jane, used Sussex chairs in their first home, Red House, Bexleyheath, Kent, from 1860 and subsequently in their London house, Kelmscott House, Hammersmith. Morris's great friend, the artist Edward Burne-Jones (1833-1898) had Sussex armchairs in his studio, as did the sculptor, Alfred Gilbert (1854-1934). Robert Edis recommended this chair as 'excellent, comfortable and artistic' in his influential book, 'Decoration and Furnishing of Town Houses in 1881'. Examples from the Sussex range were supplied for students' rooms at Newnham College, Cambridge, and for galleries in the Fitzwilliam Museum, Cambridge. Trading The Sussex range of modest seat furniture, which started with this armchair and a single chair, expanded as a result of the commercial success of the design. Eventually it included corner chairs, children's chairs, and settles. A whole page was devoted to the Sussex range in the firm's catalogue, about 1912, where the armchair was priced at 9s 9d (49p). Other firms, particularly Liberty & Co. and Heals, produced their own versions of this popular design. |
| Bibliographic References |
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| Collection | |
| Accession Number | CIRC.288-1960 |
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| record created | June 11, 1998 |
| Record URL |