Shepheard Buss

Picture
1570-1600 (made)
Shepheard Buss thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 58
Artist/Maker
Place Of Origin

Object Type
The exact use of this intriguing embroidery is uncertain. It may have hung on a wall. Alternatively, it could have been used to cover a small table, such as a dressing table, or have been a cupboard cloth. (A cupboard cloth was used on a cup-board, which took a variety of forms, but the common purpose of which was to provide a stage - or board - on which precious vessels - 'cups' - could be displayed. Such furniture was usually found in rooms where grand company dined, but could also be used in bedchambers. They originally took the form of a simple table but gradually acquired extra shelves or staging on which large quantities of plate could be shown. The number of layers could indicate the status of the owner or household. Eventually the lower part was enclosed with a door, and hence the modern word cupboard.) The embroidery may well have been a very personal piece, since the sorrows of the 'shepherd' are emphasised repeatedly in numerous forms of words, rebuses (images representing words) and emblems.

Materials & Making
The embroidery is characteristic Elizabethan blackwork on linen of around 1600. The technique was used on both furnishings and dress. Blackwork was worked with black silk on linen, but often had accents in red silk or highlights in silver-gilt thread.

Subjects Depicted
The subject has never been satisfactorily explained, although each of the emblems, rebuses and mottoes relates directly to the main theme of the shepherd mourning the loss of love or a lover. A knowledge of emblems and their use in art was part of the intellectual climate of Elizabethan life. Emblem books were published in Italy and France and rather later in Britain throughout the 16th century. The best known English work was Geffrey Whitney's A Choice of Emblems, published in 1586. Emblems were not only important for language and literature, they also, as is evident here, left their mark on the decorative arts and embroidery.


object details
Categories
Object Type
Materials and Techniques
Embroidered linen in silk, bobbin lace
Brief Description
Picture 'Shepheard Buss' of black-work embroidered linen in silk, England, 1570-1600
Physical Description
Picture of black-work embroidered linen in silk and couched cord. With a bobbin lace border. With a design of a mourning shepherd in an oval medallion in the centre surrounded by emblems and mottoes in Latin, Italian and English. The outer border also has inscriptions which are linked by symbols.



The shepherd is portrayed in a melancholy attitude in a landscape flanked on both sides by a tree bearing a mixed selection of fruits. He has a small dog attached to a lead, and in his right hand is a shepherds crook which bears a purse. With his left hand he points to an open book on the ground at the foot of one of the trees, and in the lower branch there is a set of bagpipes. At his feet are flowers, a snail, several rabbits, ewes, two books, and two other objects.
Dimensions
  • Height: 114cm
  • Width: 98.3cm
  • Length: 44.5in
  • Width: 38in
Marks and Inscriptions
  • 'MIHI ET MUSIS' (On a scroll attached to the figure)
  • 'DI DI IN DI VO CANGIANDO IL PELO E IL MIO MISERABILE VISO' (Inscribed round the oval in the centre)
  • FALSE [Cupid] WITHE MISFORTVNES [wheel] HATH WOUNDED [hand] AND [heart with arrows] WHO [siren] LIKE DID [lure] ME WITHE [lute] AND CHARMDE [harp] THE [cup] OF CARE AND SOROWES [cross] DO CLIPS MI [star] AND [sun] MI [rose] IS BLSTED AD MI [bones] LO [death] INTERS IN [urn] (Inscribed round the outer edge with rebus emblems)
  • 'KB' (Initials inscribed in the centre, next to the shepherd)
Gallery Label
British Galleries: This hanging or cover shows an Elizabethan shepherd mourning his lost lover. In Greek and Roman literature there was a tradition associating shepherds with poetry. The story is told around the border using a combination of words and rebuses (images representing words). The word 'buss' means kiss.(27/03/2003)
Object history
Made in England
Summary
Object Type
The exact use of this intriguing embroidery is uncertain. It may have hung on a wall. Alternatively, it could have been used to cover a small table, such as a dressing table, or have been a cupboard cloth. (A cupboard cloth was used on a cup-board, which took a variety of forms, but the common purpose of which was to provide a stage - or board - on which precious vessels - 'cups' - could be displayed. Such furniture was usually found in rooms where grand company dined, but could also be used in bedchambers. They originally took the form of a simple table but gradually acquired extra shelves or staging on which large quantities of plate could be shown. The number of layers could indicate the status of the owner or household. Eventually the lower part was enclosed with a door, and hence the modern word cupboard.) The embroidery may well have been a very personal piece, since the sorrows of the 'shepherd' are emphasised repeatedly in numerous forms of words, rebuses (images representing words) and emblems.

Materials & Making
The embroidery is characteristic Elizabethan blackwork on linen of around 1600. The technique was used on both furnishings and dress. Blackwork was worked with black silk on linen, but often had accents in red silk or highlights in silver-gilt thread.

Subjects Depicted
The subject has never been satisfactorily explained, although each of the emblems, rebuses and mottoes relates directly to the main theme of the shepherd mourning the loss of love or a lover. A knowledge of emblems and their use in art was part of the intellectual climate of Elizabethan life. Emblem books were published in Italy and France and rather later in Britain throughout the 16th century. The best known English work was Geffrey Whitney's A Choice of Emblems, published in 1586. Emblems were not only important for language and literature, they also, as is evident here, left their mark on the decorative arts and embroidery.
Bibliographic Reference
Discussion of the sources of the 4 'impresa' in the 4 corners of the inside square, in Peter M Daley, 'England and the Emblem: the Cultural Context of English Emblem Books', in The English Emblem and the Continental Tradition, 1988, p.1-60.
Collection
Accession Number
T.219-1953

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest Feedback

record createdMarch 27, 2003
Record URL