Cravat
ca. 1870 (made)
| Artist/Maker | |
| Place of origin |
Object Type
The necktie was an essential part of a Victorian gentleman's dress. The variety of styles and colours must have offered some relief from the dark tones then fashionable for men's suits. In March 1895 the Tailor and Cutter referred to ties and scarves as being the 'saving touch from the monotony of sombreness ... Bows, scarves and ties seem to get more and more varied, and, in the majority of styles prettier and more artistic.'
Design & Designing
The high collars fashionable in the late 19th century often made it difficult to keep the neckband of the tie in place. The invention of tie clips and frames helped to solve this problem.
Time
During second half of the 19th century four distinct styles of necktie evolved. They were given a great many different names, which can be confusing. The main categories were: (i) bow tie; (ii) scarf or neckerchief; (iii) Ascot; and (iv) four-in-hand, or sailor's knot, generally referred to as the 'long tie'.
The necktie was an essential part of a Victorian gentleman's dress. The variety of styles and colours must have offered some relief from the dark tones then fashionable for men's suits. In March 1895 the Tailor and Cutter referred to ties and scarves as being the 'saving touch from the monotony of sombreness ... Bows, scarves and ties seem to get more and more varied, and, in the majority of styles prettier and more artistic.'
Design & Designing
The high collars fashionable in the late 19th century often made it difficult to keep the neckband of the tie in place. The invention of tie clips and frames helped to solve this problem.
Time
During second half of the 19th century four distinct styles of necktie evolved. They were given a great many different names, which can be confusing. The main categories were: (i) bow tie; (ii) scarf or neckerchief; (iii) Ascot; and (iv) four-in-hand, or sailor's knot, generally referred to as the 'long tie'.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Silk |
| Brief description | Silk cravat, made by Holbrook & Walker, London, ca. 1870 |
| Physical description | Cravat of white ribbed silk with a figured design based on rectangles with alternating rows of brown and pale blue diamond shapes. Cut on the cross, square-ended and shaped in at the centre back neck. Probably interlined. |
| Dimensions |
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| Marks and inscriptions | 'HOLBROOK & WALKER, BURLINGTON GARDENS' (Printed label at the centre back neck) |
| Gallery label |
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| Credit line | Given by Miss M. Seaton |
| Object history | Produced by Holbrook & Walker, Burlington Gardens, London |
| Summary | Object Type The necktie was an essential part of a Victorian gentleman's dress. The variety of styles and colours must have offered some relief from the dark tones then fashionable for men's suits. In March 1895 the Tailor and Cutter referred to ties and scarves as being the 'saving touch from the monotony of sombreness ... Bows, scarves and ties seem to get more and more varied, and, in the majority of styles prettier and more artistic.' Design & Designing The high collars fashionable in the late 19th century often made it difficult to keep the neckband of the tie in place. The invention of tie clips and frames helped to solve this problem. Time During second half of the 19th century four distinct styles of necktie evolved. They were given a great many different names, which can be confusing. The main categories were: (i) bow tie; (ii) scarf or neckerchief; (iii) Ascot; and (iv) four-in-hand, or sailor's knot, generally referred to as the 'long tie'. |
| Collection | |
| Accession number | T.175-1966 |
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| Record created | March 27, 2003 |
| Record URL |
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