Braces
1840s (made)
| Artist/Maker | |
| Place of origin |
Object Type
During the 1840s and 1850s braces were generally made in two separate bands, with tabs and buttonholes. The wearer would pass the bands over the shoulder and attach them to buttons on his trousers.
Design & Designing
Braces were fashionable from 1787 onwards. At first they consisted of a pair of straps, often of morocco leather, passing over the shoulders and attached to a single button on each side in front and behind, to support the breeches. From 1825 a double-tongued design, whereby each strap was attached by two buttons in front and behind, began to be used. By 1850 the two straps were joined at the back, at the point where they crossed under the shoulder blades.
Materials & Making
Braces were often made of silk, cotton, canvas or velvet with leather attachments. The Englishwoman's Domestic Magazine of 1860 reported 'Braces form a necessary adjunct to a gentleman's wardrobe and they are generally pleased to have them prettily worked.' From 1857 to 1866 many braces were embroidered in Berlin woolwork of many colours. They were often worked by young ladies and presented as gifts to their menfolk. India rubber braces were sometimes worn in the 1850s. During the second half of the century the brace made with plain elastic web and double sliding ends became the conventional mode.
People
R.S. Surtees, in his book Hillingdon Hall (1844), describes a particularly colourful man's outfit: 'The Marquis [threw] back his pea-green cashmere coat lined with silk, ... displaying his embroidered braces, pink rowing shirt and amber-coloured braces.'
During the 1840s and 1850s braces were generally made in two separate bands, with tabs and buttonholes. The wearer would pass the bands over the shoulder and attach them to buttons on his trousers.
Design & Designing
Braces were fashionable from 1787 onwards. At first they consisted of a pair of straps, often of morocco leather, passing over the shoulders and attached to a single button on each side in front and behind, to support the breeches. From 1825 a double-tongued design, whereby each strap was attached by two buttons in front and behind, began to be used. By 1850 the two straps were joined at the back, at the point where they crossed under the shoulder blades.
Materials & Making
Braces were often made of silk, cotton, canvas or velvet with leather attachments. The Englishwoman's Domestic Magazine of 1860 reported 'Braces form a necessary adjunct to a gentleman's wardrobe and they are generally pleased to have them prettily worked.' From 1857 to 1866 many braces were embroidered in Berlin woolwork of many colours. They were often worked by young ladies and presented as gifts to their menfolk. India rubber braces were sometimes worn in the 1850s. During the second half of the century the brace made with plain elastic web and double sliding ends became the conventional mode.
People
R.S. Surtees, in his book Hillingdon Hall (1844), describes a particularly colourful man's outfit: 'The Marquis [threw] back his pea-green cashmere coat lined with silk, ... displaying his embroidered braces, pink rowing shirt and amber-coloured braces.'
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 2 parts.
|
| Materials and techniques | Chiné silk and leather |
| Brief description | Pair of short braces, chiné silk and leather, probably made in Great Britain, 1840s |
| Physical description | Silk and leather braces |
| Dimensions |
|
| Gallery label | British Galleries:
BRACES Braces held up trousers giving a firm, smooth line to the shape of the leg. Brightly patterned braces came into fashion during the 1840s and 1850s. Women often embroidered them at home as gifts for close friends and relatives. Braces joined at the back appeared in the second half of the century.(27/03/2003) |
| Credit line | Given by Messrs Harrods Ltd. |
| Object history | Probably made in Britain |
| Summary | Object Type During the 1840s and 1850s braces were generally made in two separate bands, with tabs and buttonholes. The wearer would pass the bands over the shoulder and attach them to buttons on his trousers. Design & Designing Braces were fashionable from 1787 onwards. At first they consisted of a pair of straps, often of morocco leather, passing over the shoulders and attached to a single button on each side in front and behind, to support the breeches. From 1825 a double-tongued design, whereby each strap was attached by two buttons in front and behind, began to be used. By 1850 the two straps were joined at the back, at the point where they crossed under the shoulder blades. Materials & Making Braces were often made of silk, cotton, canvas or velvet with leather attachments. The Englishwoman's Domestic Magazine of 1860 reported 'Braces form a necessary adjunct to a gentleman's wardrobe and they are generally pleased to have them prettily worked.' From 1857 to 1866 many braces were embroidered in Berlin woolwork of many colours. They were often worked by young ladies and presented as gifts to their menfolk. India rubber braces were sometimes worn in the 1850s. During the second half of the century the brace made with plain elastic web and double sliding ends became the conventional mode. People R.S. Surtees, in his book Hillingdon Hall (1844), describes a particularly colourful man's outfit: 'The Marquis [threw] back his pea-green cashmere coat lined with silk, ... displaying his embroidered braces, pink rowing shirt and amber-coloured braces.' |
| Collection | |
| Accession number | T.1733&A-1913 |
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| Record created | March 27, 2003 |
| Record URL |
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