Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 56, The Djanogly Gallery

Sampler

1640-1680 (made)
Artist/Maker
Place of origin

Object Type
Samplers like this were exercises in embroidery and needle lace stitches and techniques, which had become well established as part of a girl's education by the middle of the 17th century. Typically in this long thin form, they were filled with rows of repeating patterns worked in coloured silks and whitework embroidery, sometimes interspersed with figures or floral motifs. This example also includes cutwork and needle lace.

Design & Designing
Samplers tended to follow tradition in their form. They often preserved motifs and patterns long after such designs had ceased to be part of contemporary fashion for the decoration of clothes and furnishings. The needlework skills demonstrated in these pieces, however, would be important attributes in a girl's adulthood, in the management of her household and the making, mending and decoration of her own and her family's clothes.

Ownership & Use
Following the usual development of needlework skills of a young educated girl in the mid-17th century, the maker of this piece had probably already completed an easier sampler in coloured silks. We know by comparison with signed and dated examples that she might have been aged only nine or ten when she made this.


Object details

Categories
Object type
Materials and techniques
Linen, embroidered with linen and silk threads, cutwork and applied needlepoint lace
Brief description
Sampler of linen embroidered with linen and silk threads, cutwork and applied needlepoint lace, England, 1640-1680
Physical description
Sampler of unbleached linen embroidered with linen and silk threads, cutwork and applied needlepoint lace. Embroidered with some pink and green silks in satin, back, double-running, buttonhole and drawn fabric stitches with cutwork, needlepoint filling stitches and needlepoint lace.

The top two-thirds of the right hand side is occupied by needlepoint lace motifs made separately and stitched to the linen. These include two large roses, two smaller formal flowers, an acorn and geometric motifs. Part of the left hand side if filled with geometrical cutwork motifs, and the top part being left plain. The lower part has various border motifs - a band of cutwork at the top and six whitework borders of various dimensions including a formal pattern of acorns, stylised flowers and geometric motifs. At the bottom is a border of stylised flowers separated by bands of guilloche ornament worked in pink and green silk.
Dimensions
  • Height: 92.5cm
  • Width: 25.2cm
  • Height: 36.5in
  • Width: 9.5in
Dimensions checked: Measured; 26/05/2000 by KB / VB
Gallery label
British Galleries: Samplers were embroidered by young girls as a needlework exercise. They tended to be tradition, even old-fashioned in design. Two of the lace patterns on this sampler have been taken from a book of designs (see photograph) 'A schole House for the Needle', published by Richard Shorleyker in 1632.(27/03/2003)
Credit line
Given by Mrs Michael Waterhouse
Summary
Object Type
Samplers like this were exercises in embroidery and needle lace stitches and techniques, which had become well established as part of a girl's education by the middle of the 17th century. Typically in this long thin form, they were filled with rows of repeating patterns worked in coloured silks and whitework embroidery, sometimes interspersed with figures or floral motifs. This example also includes cutwork and needle lace.

Design & Designing
Samplers tended to follow tradition in their form. They often preserved motifs and patterns long after such designs had ceased to be part of contemporary fashion for the decoration of clothes and furnishings. The needlework skills demonstrated in these pieces, however, would be important attributes in a girl's adulthood, in the management of her household and the making, mending and decoration of her own and her family's clothes.

Ownership & Use
Following the usual development of needlework skills of a young educated girl in the mid-17th century, the maker of this piece had probably already completed an easier sampler in coloured silks. We know by comparison with signed and dated examples that she might have been aged only nine or ten when she made this.
Collection
Accession number
T.171-1961

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Record createdMarch 27, 2003
Record URL
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