Wine Cooler
1850-1851 (made)
Artist/Maker | |
Place of origin |
Object Type
A wine cooler or ice pail for a single bottle was a French refinement for dining more informally in smaller numbers, introduced into Britain in the early 18th century. The cooler was filled with ice to chill the wine before serving. By the early 19th century these individual wine coolers were beginning to be left on the table as part of the dressing of very grand dinners. The manufacturers Elkington & Co. advertised silver wine coolers in their sales catalogue of 1869 for between œ15 and œ60, depending on the complexity of the decoration. This example would have had a glass liner.
Design
This wine cooler was designed in a style known as naturalism, which uses nature as the basis of the ornament. Love of nature was one of the most universal and respected sentiments in the 19th century. In addition to the revival of interest in historic styles, particularly the Rococo, with its playful use of natural forms, there was increased enthusiasm for employing nature as a decorative device on art objects. Naturalism was widespread and promoted as a good stylistic model by design reformers such as Henry Cole (1808-1882), the first Director of the V&A. Through the art schools under his control Cole emphasised the importance of appropriate decoration, which was secondary to an object's function. At its best naturalism could be strikingly original but in some cases the form and function were lost in decorative excess. Here the intertwined vines and hanging grapes signal the use of the vessel for cooling wine at the table.
A wine cooler or ice pail for a single bottle was a French refinement for dining more informally in smaller numbers, introduced into Britain in the early 18th century. The cooler was filled with ice to chill the wine before serving. By the early 19th century these individual wine coolers were beginning to be left on the table as part of the dressing of very grand dinners. The manufacturers Elkington & Co. advertised silver wine coolers in their sales catalogue of 1869 for between œ15 and œ60, depending on the complexity of the decoration. This example would have had a glass liner.
Design
This wine cooler was designed in a style known as naturalism, which uses nature as the basis of the ornament. Love of nature was one of the most universal and respected sentiments in the 19th century. In addition to the revival of interest in historic styles, particularly the Rococo, with its playful use of natural forms, there was increased enthusiasm for employing nature as a decorative device on art objects. Naturalism was widespread and promoted as a good stylistic model by design reformers such as Henry Cole (1808-1882), the first Director of the V&A. Through the art schools under his control Cole emphasised the importance of appropriate decoration, which was secondary to an object's function. At its best naturalism could be strikingly original but in some cases the form and function were lost in decorative excess. Here the intertwined vines and hanging grapes signal the use of the vessel for cooling wine at the table.
Object details
Categories | |
Object type | |
Materials and techniques | Silver, cast and chased |
Dimensions |
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Marks and inscriptions | Inscribed on base '166 Regent Street' (Above base: maker CR over GS for Charles Reilly & George Storer, sterling, leopard, date, duty. Inscribed on base: 166 Regent Street) |
Gallery label |
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Credit line | Given by Sir Paul Makins, Bt |
Object history | Made in London by Charles Reily & George Storer Acquisition RF: Sir Paul Makins Bart. Gift - Sir Paul Makins Bart. 66 Eaton Terrace, SW1 Glass liner missing. Reilly and Storer were in partnership from 1829 manufacturing good quality silver. The wine cooler was retailed by S.H. & D Gass ( 166 Regent Street ) who are known to have used Reilly and Storer to supply stock. Maker's mark of Charles Reilly and George Storer of Carey Lane. The vase presumably was once fitted with a liner. Neg._No: JX 2260 JX 2261 |
Summary | Object Type A wine cooler or ice pail for a single bottle was a French refinement for dining more informally in smaller numbers, introduced into Britain in the early 18th century. The cooler was filled with ice to chill the wine before serving. By the early 19th century these individual wine coolers were beginning to be left on the table as part of the dressing of very grand dinners. The manufacturers Elkington & Co. advertised silver wine coolers in their sales catalogue of 1869 for between œ15 and œ60, depending on the complexity of the decoration. This example would have had a glass liner. Design This wine cooler was designed in a style known as naturalism, which uses nature as the basis of the ornament. Love of nature was one of the most universal and respected sentiments in the 19th century. In addition to the revival of interest in historic styles, particularly the Rococo, with its playful use of natural forms, there was increased enthusiasm for employing nature as a decorative device on art objects. Naturalism was widespread and promoted as a good stylistic model by design reformers such as Henry Cole (1808-1882), the first Director of the V&A. Through the art schools under his control Cole emphasised the importance of appropriate decoration, which was secondary to an object's function. At its best naturalism could be strikingly original but in some cases the form and function were lost in decorative excess. Here the intertwined vines and hanging grapes signal the use of the vessel for cooling wine at the table. |
Collection | |
Accession number | M.62-1932 |
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Record created | March 27, 2003 |
Record URL |
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