Cross
1897 (made)
Artist/Maker | |
Place of origin |
Object Type
This altar cross has a distinctive design. The embossed almond forms are reminiscent of early medieval metalwork, and the scallops of Islamic ornament. The calligraphic lettering of the monogram IHS (the traditional abbreviation of the name of Jesus) at the centre of the cross is Celtic.
Ownership & Use
The cross was designed by the architect Philip Webb (1831-1915) for the chapel of a religious community and theological college for women, the Rochester and Southwark Diocesan Deaconess's House, Clapham Common, London. The candlesticks that accompanied the cross on the altar were probably made by Barkentin & Krall. The ensemble, together with a superfrontal (altar cloth) designed by Webb and embroidered by May Morris, was given to the V&A in 1970. In that year Deaconess's House ceased to function as a theological college for women.
This altar cross has a distinctive design. The embossed almond forms are reminiscent of early medieval metalwork, and the scallops of Islamic ornament. The calligraphic lettering of the monogram IHS (the traditional abbreviation of the name of Jesus) at the centre of the cross is Celtic.
Ownership & Use
The cross was designed by the architect Philip Webb (1831-1915) for the chapel of a religious community and theological college for women, the Rochester and Southwark Diocesan Deaconess's House, Clapham Common, London. The candlesticks that accompanied the cross on the altar were probably made by Barkentin & Krall. The ensemble, together with a superfrontal (altar cloth) designed by Webb and embroidered by May Morris, was given to the V&A in 1970. In that year Deaconess's House ceased to function as a theological college for women.
Object details
Categories | |
Object type | |
Materials and techniques | Wood, covered with silver plates, chased and embossed. |
Brief description | Altar cross with IHS and crown |
Physical description | Cross, wood, covered with silver plates. Shaped arms, edged with a moulding, embossed with a guilloche pattern in the form of vescias with convex centres set in wreaths and pellets and surrounded by vines. A coronet with a cresting of fleur-de-lis surmounts the cross while the lateral arms trerminate in scrolls. At the intersection a shaped and internal frame decorated with pellets encloses a convex roundel embossed with the Sacred Monogram. The lower arm terminates in a roundel with a representation of the Agnus Dei surrounded by stars and fleurs-de-lis, above symbols of the sun and the moon. |
Dimensions |
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Marks and inscriptions | No hallmarks |
Gallery label |
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Credit line | Given by the Trustees of the Rochester and Southwark Diocesan Deaconess's House |
Object history | According to W,R, Lethaby, Philip Webb and His Work, 1935, p.189, the cross was made to hang on the east wall of the chapel built by Webb in 1896-7 for the Rochester Diocesan Deaconess Institute at North Side, Clapham. The Head Deaconess, Mrs Gilmore, was William Morris's sister. |
Historical context | Summarised accounts for six buildings designed and erected by Webb between 13 May 1887 and 19 August 1897 (ms in the collection of John Brandon Jones F.R.I.B.A. : photocopy in the NAL) include entries for the chapel which cost £1,693-6s-9d, exclusive of the architect's fee. A draft letter from Webb to Mrs Gilmore, inserted in the accounts, dated 6 April 1897, shows that the cross had not yet been executed, for it contains the following passage: "I wrote to Barkentin's, telling them to send you the candles and candlesticks; and bill and if they agreed to let you have an altar cross on hire for two or three months, to send it with the candlesticks". The Deaconess House ceased to function as a theological college for women in 1970 and the Trustees presented the cross and candlesticks to the V&A, together wioth a superfrontal designed by Webb and embroidered by May Morris. The gift was nade at the suggestion of Mrs Gurney, the last Head Deaconess. |
Association | |
Summary | Object Type This altar cross has a distinctive design. The embossed almond forms are reminiscent of early medieval metalwork, and the scallops of Islamic ornament. The calligraphic lettering of the monogram IHS (the traditional abbreviation of the name of Jesus) at the centre of the cross is Celtic. Ownership & Use The cross was designed by the architect Philip Webb (1831-1915) for the chapel of a religious community and theological college for women, the Rochester and Southwark Diocesan Deaconess's House, Clapham Common, London. The candlesticks that accompanied the cross on the altar were probably made by Barkentin & Krall. The ensemble, together with a superfrontal (altar cloth) designed by Webb and embroidered by May Morris, was given to the V&A in 1970. In that year Deaconess's House ceased to function as a theological college for women. |
Bibliographic references |
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Collection | |
Accession number | M.34-1970 |
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Record created | March 27, 2003 |
Record URL |
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