Wine Jug
1885 (made)
| Artist/Maker | |
| Place of origin |
Object Type
Decanters (vessels for serving wine at the table) or claret jugs were popular in late Victorian Britain. This flask-shaped jug has an unusual body assembled from five bands, with pronounced horizontal grooves where one band joins another.
Design & Designing
Christopher Dresser (1834-1904) is often regarded as the 'father of industrial design'. He designed utilitarian objects for the general public while making full use of the latest techniques of mass production. Dresser's most innovative designs were for objects to be made in metal. His designs for ceramics and glass often resemble plant forms in their shape, ornamentation or colouring, but his designs for metalwork objects tend to be fully abstract. He frequently employed symmetrical, rectilinear shapes and undecorated surfaces. This was partly due to the intrinsic value of silver and gold, which he specified should be used economically in order to make the object affordable. This is in keeping with his ethical attitude towards economy in design.
Manufacturing
Dresser was a prolific worker and produced designs for numerous manufacturers, including Hukin & Heath (about 1878-1890s), Elkington & Co. (about 1875-1888) and James Dixon & Sons (about 1879-1890s). Some of his designs were considered too ahead of their time to go into production, and six exist only as prototypes.
Decanters (vessels for serving wine at the table) or claret jugs were popular in late Victorian Britain. This flask-shaped jug has an unusual body assembled from five bands, with pronounced horizontal grooves where one band joins another.
Design & Designing
Christopher Dresser (1834-1904) is often regarded as the 'father of industrial design'. He designed utilitarian objects for the general public while making full use of the latest techniques of mass production. Dresser's most innovative designs were for objects to be made in metal. His designs for ceramics and glass often resemble plant forms in their shape, ornamentation or colouring, but his designs for metalwork objects tend to be fully abstract. He frequently employed symmetrical, rectilinear shapes and undecorated surfaces. This was partly due to the intrinsic value of silver and gold, which he specified should be used economically in order to make the object affordable. This is in keeping with his ethical attitude towards economy in design.
Manufacturing
Dresser was a prolific worker and produced designs for numerous manufacturers, including Hukin & Heath (about 1878-1890s), Elkington & Co. (about 1875-1888) and James Dixon & Sons (about 1879-1890s). Some of his designs were considered too ahead of their time to go into production, and six exist only as prototypes.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Electroplated nickel silver, spun and soldered. |
| Brief description | Wine Jug, electroplated nickel silver, Birmingham, made by Elkington & Co., 1885, designed by Christopher Dresser. |
| Physical description | Wine jug, electroplated nickel silver, flask shaped body, annulated with three grooves on the widest part of the body, and with a step defining the collar, which terminates in an everted edge. Hinged circular flat lid, with a combined finial and thumbpiece in the form of a scroll forming a dogleg with spiralling ends. Shaped handle. Three applied legs or feet in the form of tapering cylinders. |
| Dimensions |
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| Marks and inscriptions |
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| Gallery label | British Galleries:
ELECTROPLATING Electroplating is the technique of using an electrical current to deposit a thin layer of precious metal on a less valuable base metal. This teapot and wine jug give the impression of being solid silver.(27/03/2003) |
| Object history | Designed by Christopher Dresser (born in Glasgow, 1834, died in Mulhouse, France, 1904) and made by Elkington & Co., Birmingham |
| Summary | Object Type Decanters (vessels for serving wine at the table) or claret jugs were popular in late Victorian Britain. This flask-shaped jug has an unusual body assembled from five bands, with pronounced horizontal grooves where one band joins another. Design & Designing Christopher Dresser (1834-1904) is often regarded as the 'father of industrial design'. He designed utilitarian objects for the general public while making full use of the latest techniques of mass production. Dresser's most innovative designs were for objects to be made in metal. His designs for ceramics and glass often resemble plant forms in their shape, ornamentation or colouring, but his designs for metalwork objects tend to be fully abstract. He frequently employed symmetrical, rectilinear shapes and undecorated surfaces. This was partly due to the intrinsic value of silver and gold, which he specified should be used economically in order to make the object affordable. This is in keeping with his ethical attitude towards economy in design. Manufacturing Dresser was a prolific worker and produced designs for numerous manufacturers, including Hukin & Heath (about 1878-1890s), Elkington & Co. (about 1875-1888) and James Dixon & Sons (about 1879-1890s). Some of his designs were considered too ahead of their time to go into production, and six exist only as prototypes. |
| Collection | |
| Accession number | M.28-1971 |
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| Record created | March 27, 2003 |
| Record URL |
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