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Rich Pendants with Monograms and Flowers

Print
c. 1600
Artist/Maker
Place of origin

Paul Birckenhultz’s series of engraved designs for pendants is one of several he completed during the late sixteenth century. What sets these apart is the use of initials as the focus of each pendant. Each set of initials is set on a dark ground and topped with ribbon work and a winged cherub head and hung with three pearls. Some of the pendant designs are accompanied by designs for buttons or smaller pin ornaments as well. As these designs were probably meant to be sold to jewelers who would use them for inspiration and design, it is quite likely that the initials are simply arbitrary combinations of letters. In these designs, Birckenhultz follows the work of his German predecessor Hans Holbein, whose similar designs for jewellery may be seen in the British Museum.


Object details

Category
Object type
TitleRich Pendants with Monograms and Flowers (series title)
Materials and techniques
engraving
Brief description
Paul Birckenhultz (after), one from a series of six plates, including title plate, showing designs for pendants with initial letters. German, c. 1600.
Physical description
Design for pendant with the initials "EF" shown on a dark ground; hung from a ribbon work the pendant is set with four square-cut gems, the lowest and largest of which is framed by two serpent heads. From this group hang three pearls.
Dimensions
  • Height: 6.6cm (cut to )
  • Width: 4.8cm (cut to )
Object history
In the sixteenth and seventeenth centuries, personalised jewellery was a popular form of self- ornamentation. Perhaps the most recognisable personalised ornament is the Anne Boleyn “B” pendant that hangs from her neck in her famous portrait at the National Portrait Gallery (NPG 668). Though the programmeof the ornament is simpler overall, the Boleyn pendant, like the design in the Birckenhultz engraving, are hung with three pearls, in an added ornament typical of early modern jewellery design.
Subjects depicted
Summary
Paul Birckenhultz’s series of engraved designs for pendants is one of several he completed during the late sixteenth century. What sets these apart is the use of initials as the focus of each pendant. Each set of initials is set on a dark ground and topped with ribbon work and a winged cherub head and hung with three pearls. Some of the pendant designs are accompanied by designs for buttons or smaller pin ornaments as well. As these designs were probably meant to be sold to jewelers who would use them for inspiration and design, it is quite likely that the initials are simply arbitrary combinations of letters. In these designs, Birckenhultz follows the work of his German predecessor Hans Holbein, whose similar designs for jewellery may be seen in the British Museum.
Bibliographic references
  • Hollstein, F.W.H. 1957. German engravings, etchings and woodcuts, ca. 1400-1700 Vol. IV, Beischlag-Brosamer. German Engravings, Etchings and Woodcuts, Ca. 1400-1700. Amsterdam: Hertzberger.
  • Hollstein, F. W. H., Dutch and Flemish etchings, engravings and woodcuts, ca. 1450-1700 (Amsterdam: Menno Hertzberger, 1956): vol. 4, nos. 43-48.
  • Victoria and Albert Museum, Department of Engraving, Illustration and Design, Accessions 1910, London, Printed for His Majesty’s Stationery Office 1911
Collection
Accession number
E.3709-1910

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Record createdJune 30, 2009
Record URL
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