Design
1863 (made)
Artist/Maker |
Object Type
This is one of a set of four highly finished designs for presentation to the examiners of the 'National Competition'. The National Art Library collected drawings for the applied arts from 1852. This example was bought to be used as a teaching aid by the School of Design (now the Royal College of Art).
Design & Designing
The influence of engraved ornament can be seen in Fildes' use of delicate pattern for this design. These forms were also used in a set of playing cards designed by Virgil Solis, a goldsmith from Nuremberg, in the early 16th century. The arabesque forms also show the influence of Owen Jones' book The Grammar of Ornament (1856), which was used as a teaching aid in art schools.
People
Owen Jones (1809-1874) was one of a number of celebrated artists who designed the backs of playing cards for the London firm of De la Rue. Jones used floral motifs as well as drawing on other features from a variety of sources that appeared in his Grammar of Ornament. The label has been signed by Richard Redgrave, who was the head of the National Art Training School in 1863.
Subjects Depicted
The design incorporates stylised floral forms, which most closely resemble a type of convolvulus.
This is one of a set of four highly finished designs for presentation to the examiners of the 'National Competition'. The National Art Library collected drawings for the applied arts from 1852. This example was bought to be used as a teaching aid by the School of Design (now the Royal College of Art).
Design & Designing
The influence of engraved ornament can be seen in Fildes' use of delicate pattern for this design. These forms were also used in a set of playing cards designed by Virgil Solis, a goldsmith from Nuremberg, in the early 16th century. The arabesque forms also show the influence of Owen Jones' book The Grammar of Ornament (1856), which was used as a teaching aid in art schools.
People
Owen Jones (1809-1874) was one of a number of celebrated artists who designed the backs of playing cards for the London firm of De la Rue. Jones used floral motifs as well as drawing on other features from a variety of sources that appeared in his Grammar of Ornament. The label has been signed by Richard Redgrave, who was the head of the National Art Training School in 1863.
Subjects Depicted
The design incorporates stylised floral forms, which most closely resemble a type of convolvulus.
Object details
Categories | |
Object type | |
Materials and techniques | Watercolour, bodycolour and gold paint on paper |
Brief description | Design for the backs of playing cards |
Dimensions |
|
Marks and inscriptions | Inscribed in ink on a label stuck on the back of the mount: 'National Scholarship Rich Redgrave Sep 1863' |
Gallery label | British Galleries:
Luke Fildes won a prize for these designs in the National Competition in 1863. His prize enabled him to leave Warrington School of Art to become a student at the National Art Training School, now the Royal College of Art, London. He went on to become an engraver and successful oil painter.(27/03/2003) |
Object history | Designed by Sir Luke Fildes (born in Liverpool, 1843, died in London, 1927) |
Summary | Object Type This is one of a set of four highly finished designs for presentation to the examiners of the 'National Competition'. The National Art Library collected drawings for the applied arts from 1852. This example was bought to be used as a teaching aid by the School of Design (now the Royal College of Art). Design & Designing The influence of engraved ornament can be seen in Fildes' use of delicate pattern for this design. These forms were also used in a set of playing cards designed by Virgil Solis, a goldsmith from Nuremberg, in the early 16th century. The arabesque forms also show the influence of Owen Jones' book The Grammar of Ornament (1856), which was used as a teaching aid in art schools. People Owen Jones (1809-1874) was one of a number of celebrated artists who designed the backs of playing cards for the London firm of De la Rue. Jones used floral motifs as well as drawing on other features from a variety of sources that appeared in his Grammar of Ornament. The label has been signed by Richard Redgrave, who was the head of the National Art Training School in 1863. Subjects Depicted The design incorporates stylised floral forms, which most closely resemble a type of convolvulus. |
Bibliographic reference | P.174
The Perfect Place to Grow. 175 Years of the Royal College of Art London: RCA, 2012. ISBN: 978-1-907342-51-6. |
Collection | |
Accession number | E.1945-1909 |
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Record created | March 27, 2003 |
Record URL |
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