Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 118a

Fruit Dish

1759-1769 (made)
Artist/Maker
Place of origin

Object Type
The plate was for eating stewed or fresh fruit during the dessert course of a grand meal. Dessert wares were often more elaborately decorated than ceramics for the savoury courses.

Materials & Making
The Chelsea porcelain factory announced the 'Mazarine' blue ground used here in 1756. Although this was described as 'inimitable' in an advertisement of 1761, it was itself an imitation, inspired by the dark gros bleu colour of the Royal French porcelain factory at Sèvres. The glaze used at Chelsea during the 1760s was frequently thick, as here, and is now often 'crazed' (riddled with fine cracks). The Chelsea porcelain body was not hard wearing and was best suited to light or ornamental use.

Trading
The Chelsea factory aimed for the top end of the market. It sold its wares from the factory site, from factory-run warehouses in the West End of London, through London ceramic dealers, and at auctions held in London, Dublin in Ireland, and probably elsewhere. A sale of Chelsea porcelain held in London in 1770 included several sets of 'Twelve fine desert plates, with gold ornament edges', which were sold for between £3 9s and £5 10s, and another set with enamelled and gilt borders, which reached £3 18s. In the mid-18th century shopkeepers and skilled craftsmen might earn around £1 a week.


Object details

Categories
Object type
Materials and techniques
Soft-paste porcelain, painted in enamels and gilt
Dimensions
  • Depth: 3.3cm
  • Diameter: 22cm
Gallery label
British Galleries: The lobed border, the lavish use of gilding and the elaborate enamelled decoration with its central fig motif, all suggest that this plate was for eating stewed or fresh fruit during the dessert course of a grand meal.(27/03/2003)
Credit line
Given by W. A. J. Floersheim
Object history
Made at the Chelsea porcelain factory, London
Summary
Object Type
The plate was for eating stewed or fresh fruit during the dessert course of a grand meal. Dessert wares were often more elaborately decorated than ceramics for the savoury courses.

Materials & Making
The Chelsea porcelain factory announced the 'Mazarine' blue ground used here in 1756. Although this was described as 'inimitable' in an advertisement of 1761, it was itself an imitation, inspired by the dark gros bleu colour of the Royal French porcelain factory at Sèvres. The glaze used at Chelsea during the 1760s was frequently thick, as here, and is now often 'crazed' (riddled with fine cracks). The Chelsea porcelain body was not hard wearing and was best suited to light or ornamental use.

Trading
The Chelsea factory aimed for the top end of the market. It sold its wares from the factory site, from factory-run warehouses in the West End of London, through London ceramic dealers, and at auctions held in London, Dublin in Ireland, and probably elsewhere. A sale of Chelsea porcelain held in London in 1770 included several sets of 'Twelve fine desert plates, with gold ornament edges', which were sold for between £3 9s and £5 10s, and another set with enamelled and gilt borders, which reached £3 18s. In the mid-18th century shopkeepers and skilled craftsmen might earn around £1 a week.
Collection
Accession number
CIRC.255-1931

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMarch 27, 2003
Record URL
Download as: JSONIIIF Manifest