Vase
1662-1722 (made)
Artist/Maker | |
Place of origin |
Object Type
This vase is made of fine porcelain painted in underglaze blue with alternating floral, figure and landscape designs contained within bands of petal-shaped panels. To a Victorian audience in search of the exotic, this style of decoration would have appealed as the epitome of the East. Commonly known as 'Chinese blue and white', vases like this were used to decorate the interiors of many British homes in the 19th century.
Place
The Grove, Harborne, near Birmingham, was commissioned by William Kenrick (1831-1919). An inventory drawn up in 1911 shows that the anteroom was decorated with a large collection of ceramics, including Wedgwood, Spode, Worcester, art pottery and Chinese blue and white. Although this vase does not come from The Grove, it is of a type that would have been included in Kenrick's collection.
Time
Chinese blue and white had been imported into Britain since the 16th century. Although by the 1870s these wares were no longer rarity items, they continued to feature prominently in interior design. Rooms were filled with blue and white porcelain of different shapes and sizes to create a sumptuous effect, with older pieces being displayed alongside newer products.
This vase is made of fine porcelain painted in underglaze blue with alternating floral, figure and landscape designs contained within bands of petal-shaped panels. To a Victorian audience in search of the exotic, this style of decoration would have appealed as the epitome of the East. Commonly known as 'Chinese blue and white', vases like this were used to decorate the interiors of many British homes in the 19th century.
Place
The Grove, Harborne, near Birmingham, was commissioned by William Kenrick (1831-1919). An inventory drawn up in 1911 shows that the anteroom was decorated with a large collection of ceramics, including Wedgwood, Spode, Worcester, art pottery and Chinese blue and white. Although this vase does not come from The Grove, it is of a type that would have been included in Kenrick's collection.
Time
Chinese blue and white had been imported into Britain since the 16th century. Although by the 1870s these wares were no longer rarity items, they continued to feature prominently in interior design. Rooms were filled with blue and white porcelain of different shapes and sizes to create a sumptuous effect, with older pieces being displayed alongside newer products.
Object details
Categories | |
Object type | |
Materials and techniques | Porcelain, painted in underglaze cobalt blue |
Style | |
Marks and inscriptions | Mark: an artemesia leaf |
Credit line | Salting Bequest |
Object history | Bequeathed by Mr. George Salting, accessioned in 1910. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. Made in Jingdezhen, China, by an unidentified maker |
Production | Kangxi reign period |
Summary | Object Type This vase is made of fine porcelain painted in underglaze blue with alternating floral, figure and landscape designs contained within bands of petal-shaped panels. To a Victorian audience in search of the exotic, this style of decoration would have appealed as the epitome of the East. Commonly known as 'Chinese blue and white', vases like this were used to decorate the interiors of many British homes in the 19th century. Place The Grove, Harborne, near Birmingham, was commissioned by William Kenrick (1831-1919). An inventory drawn up in 1911 shows that the anteroom was decorated with a large collection of ceramics, including Wedgwood, Spode, Worcester, art pottery and Chinese blue and white. Although this vase does not come from The Grove, it is of a type that would have been included in Kenrick's collection. Time Chinese blue and white had been imported into Britain since the 16th century. Although by the 1870s these wares were no longer rarity items, they continued to feature prominently in interior design. Rooms were filled with blue and white porcelain of different shapes and sizes to create a sumptuous effect, with older pieces being displayed alongside newer products. |
Collection | |
Accession number | C.902-1910 |
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Record created | March 27, 2003 |
Record URL |
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