Teapot thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 53a

Teapot

ca. 1756-1760 (made)
Artist/Maker
Place of origin

Object Type
The simplest shape for a teapot, and the one that offered the best surface for decoration, was globular. The severely plain form was usually complemented by a crabstock handle (shaped like a twig or tree branch) and spout.

Materials & Making
18th-century Staffordshire teapots stood a better chance of surviving regular doses of boiling water when made of stoneware rather than earthenware. Salt-glazed stoneware, as here, was the ideal material, but after about 1750 unglazed red stoneware was much favoured, and later Black Basalt and various types of white porcellaneous stoneware became the favourites.

Time
Britain became the ally of Frederick the Great of Prussia, during the Seven Years War (1756-1763), during which Frederick achieved unexpected victories over the French and Austrians in 1757. This so endeared him to the British public that he immediately became a hero of the people. The Worcester porcelain factory made teawares with an overglaze black print of Frederick in 1757 and 1758, while at the same time Staffordshire potters mass-produced salt-glazed plates with moulded borders inscribed 'Success to the King of Prussia', as well as patriotic teapots painted with his bust in bright enamels. Teapots with similar busts of George II, and even of the defeated and exiled Charles Edward Stuart, were also produced at this time, probably by the same enamelling studio.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Teapot
  • Cover
Materials and techniques
Salt-glazed stoneware, painted in enamels
Brief description
C

C
Physical description
TEAPOT painted in enamels
Dimensions
  • Height: 9.4cm
  • Including spout and handle width: 16cm
  • Depth: 9.5cm
Dimensions checked: Measured; 09/09/1999 by KN
Gallery label
  • British Galleries: Enamels are metallic pigments suspended in a glassy medium. They are painted onto a glazed ceramic surface and fused to the glaze with a low-temperature firing. Enamelling on ceramics was introduced into Staffordshire about 1740, possibly by Dutch craftsmen, and was soon also used in London.(27/03/2003)
  • Teapot Made in Staffordshire, dated 1755 Salt-glazed stoneware C.55&A-1940 Arthur Hurst Bequest(23/05/2008)
Credit line
Bequeathed by Mr Arthur Hurst
Object history
Made in Staffordshire
Summary
Object Type
The simplest shape for a teapot, and the one that offered the best surface for decoration, was globular. The severely plain form was usually complemented by a crabstock handle (shaped like a twig or tree branch) and spout.

Materials & Making
18th-century Staffordshire teapots stood a better chance of surviving regular doses of boiling water when made of stoneware rather than earthenware. Salt-glazed stoneware, as here, was the ideal material, but after about 1750 unglazed red stoneware was much favoured, and later Black Basalt and various types of white porcellaneous stoneware became the favourites.

Time
Britain became the ally of Frederick the Great of Prussia, during the Seven Years War (1756-1763), during which Frederick achieved unexpected victories over the French and Austrians in 1757. This so endeared him to the British public that he immediately became a hero of the people. The Worcester porcelain factory made teawares with an overglaze black print of Frederick in 1757 and 1758, while at the same time Staffordshire potters mass-produced salt-glazed plates with moulded borders inscribed 'Success to the King of Prussia', as well as patriotic teapots painted with his bust in bright enamels. Teapots with similar busts of George II, and even of the defeated and exiled Charles Edward Stuart, were also produced at this time, probably by the same enamelling studio.
Collection
Accession number
C.55&A-1940

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Record createdMarch 27, 2003
Record URL
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