The Howzer Cup
Brush Pot
1630-1650 (made), 1660-1670 (made)
1630-1650 (made), 1660-1670 (made)
Artist/Maker | |
Place of origin |
A Chinese porcelain writing-brush jar, made between 1630 and 1650, and painted in underglaze blue with objects associated with the theme of 'Antiquities' (among them an antique ding (a cauldron with legs, a lid and two facing handles, used for the preparation of ritual offerings to ancestors) and an incense burner). It was mounted in England between 1660 and 1670 with extravagant silver-gilt mounts probably made by the Swiss goldsmith Wolfgang Howzer (died 1688). The addition of the mounts has transformed the brush jar into a luxurious, decorative two-handled cup and cover. The bold scrolling handles support greyhounds, and the decoration of the cover cleverly mimics that on the porcelain. At the top of the cover, another hound is seated on top of a grassy mound.
By the mid-17th century, when this brush jar came to England, blue and white Chinese porcelain was widely available in noble and wealthy households, and was no longer considered rare or curious. Porcelains of the finest quality, however, continued to be set in decorative mounts.
The greyhounds and seated hound on the mounts could be heraldic motifs that refer to the crest of the person who owned the pot and commissioned its gilded silver mounts. The goldsmith, working with great skill to create the elaborate decoration on the cover, has created a masterpiece worthy of any princely collection.
By the mid-17th century, when this brush jar came to England, blue and white Chinese porcelain was widely available in noble and wealthy households, and was no longer considered rare or curious. Porcelains of the finest quality, however, continued to be set in decorative mounts.
The greyhounds and seated hound on the mounts could be heraldic motifs that refer to the crest of the person who owned the pot and commissioned its gilded silver mounts. The goldsmith, working with great skill to create the elaborate decoration on the cover, has created a masterpiece worthy of any princely collection.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Title | The Howzer Cup (popular title) |
Materials and techniques | Hard-paste porcelain cup, with silver-gilt mounts and cover |
Brief description | Chinese porcelain pot (1630-1650) with English silver-gilt cover and mounts (ca. 1665) |
Physical description | Porcelain brush pot mounted with silver-gilt handles, foot and rim mounts and a lid. |
Dimensions |
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Marks and inscriptions |
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Gallery label |
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Credit line | Bequeathed by Claude D. Rotch |
Object history | Brush pot made in China; mounts probably made by Wolfgang Howzer (born in Zurich, active 1652-1688). Nothing is known about the original owner of the brush pot, or the circumstances surrounding the commission of the mounts in London. It has been suggested (Glanville: 1984) that the greyhounds on the handles and the lid finial are a heraldic device, deliberately chosen to identify the European owner or (if the mounted pot was a gift) the recipient. In the eighteenth century, the mounted pot was at Stowe, in the possession of the Dukes of Buckingham (Glanville: 1996), for whom the greyhounds had no heraldic significance as the key animal in the ducal crest is the martlett (information kindly supplied by Anna McEvoy, Stowe House Preservation Trust). The mounted pot was among the many possessions sold to settle the second Duke of Buckingham's debts in 1848. Described in the sale catalogue as 'a beautiful cup of old blue and white - mounted in silvergilt in fine old taste', it fetched 24.10. It was sold to a Mr Mark Philips of Snitterfield (Tomlinson: 1990, pp. 17-19). In the twentieth century, the mounted pot was acquired by the collector and connoisseur Claude Rotch, and it was among a number of pieces he bequeathed to the Museum on his death in 1961 (Oman: 1963). |
Subject depicted | |
Summary | A Chinese porcelain writing-brush jar, made between 1630 and 1650, and painted in underglaze blue with objects associated with the theme of 'Antiquities' (among them an antique ding (a cauldron with legs, a lid and two facing handles, used for the preparation of ritual offerings to ancestors) and an incense burner). It was mounted in England between 1660 and 1670 with extravagant silver-gilt mounts probably made by the Swiss goldsmith Wolfgang Howzer (died 1688). The addition of the mounts has transformed the brush jar into a luxurious, decorative two-handled cup and cover. The bold scrolling handles support greyhounds, and the decoration of the cover cleverly mimics that on the porcelain. At the top of the cover, another hound is seated on top of a grassy mound. By the mid-17th century, when this brush jar came to England, blue and white Chinese porcelain was widely available in noble and wealthy households, and was no longer considered rare or curious. Porcelains of the finest quality, however, continued to be set in decorative mounts. The greyhounds and seated hound on the mounts could be heraldic motifs that refer to the crest of the person who owned the pot and commissioned its gilded silver mounts. The goldsmith, working with great skill to create the elaborate decoration on the cover, has created a masterpiece worthy of any princely collection. |
Bibliographic references |
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Collection | |
Accession number | M.308:1, 2-1962 |
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Record created | June 5, 1998 |
Record URL |
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