Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 56c

The Howzer Cup

Brush Pot
1630-1650 (made), 1660-1670 (made)
Artist/Maker
Place of origin

A Chinese porcelain writing-brush jar, made between 1630 and 1650, and painted in underglaze blue with objects associated with the theme of 'Antiquities' (among them an antique ding (a cauldron with legs, a lid and two facing handles, used for the preparation of ritual offerings to ancestors) and an incense burner). It was mounted in England between 1660 and 1670 with extravagant silver-gilt mounts probably made by the Swiss goldsmith Wolfgang Howzer (died 1688). The addition of the mounts has transformed the brush jar into a luxurious, decorative two-handled cup and cover. The bold scrolling handles support greyhounds, and the decoration of the cover cleverly mimics that on the porcelain. At the top of the cover, another hound is seated on top of a grassy mound.
By the mid-17th century, when this brush jar came to England, blue and white Chinese porcelain was widely available in noble and wealthy households, and was no longer considered rare or curious. Porcelains of the finest quality, however, continued to be set in decorative mounts.
The greyhounds and seated hound on the mounts could be heraldic motifs that refer to the crest of the person who owned the pot and commissioned its gilded silver mounts. The goldsmith, working with great skill to create the elaborate decoration on the cover, has created a masterpiece worthy of any princely collection.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Brush Pot With Mounts
  • Cover (Closure)
TitleThe Howzer Cup (popular title)
Materials and techniques
Hard-paste porcelain cup, with silver-gilt mounts and cover
Brief description
Chinese porcelain pot (1630-1650) with English silver-gilt cover and mounts (ca. 1665)
Physical description
Porcelain brush pot mounted with silver-gilt handles, foot and rim mounts and a lid.
Dimensions
  • Height: 33cm
  • Including handles width: 33cm
  • Base diameter: 16.9cm
  • Mounted pot and lid weight: 286g (Taken from file, needs to be checked)
Dimensions checked: measured; 21/04/1999 by DW
Marks and inscriptions
  • Maker's mark, the initials 'WH' above a cherub in a shaped punch, probably the mark of Wolfgang Howzer (or Husar) (active 1652-1688) punched four times on the silver-gilt mounts: on the outer rim of the lid, on the mount round the rim of the pot and at the base of each handle.
  • The Roman numeral 'V III' scratched on the underside of the mount round the foot of the pot.
Gallery label
  • This Chinese brush jar was probably fitted with mounts as an ornament, either for a 'cabinet of curiosities' or a reception room, hence its excellent condition. The practice of mounting porcelain declined in the early 17th century as it became less of a rarity, but exceptional objects were still singled out to receive silver or ormolu mounts; on this piece the goldsmith has copies on the cover certain motifs painted on the vase.(1990-2000)
  • This Chinese brush jar was fitted with European mounts in the 1660s. The goldsmith copied the image of the table on the jar and included it on the elaborate cover. Such careful copying of detail is very unusual. The owner probably did not use this cup but kept it for display.(27/03/2003)
Credit line
Bequeathed by Claude D. Rotch
Object history
Brush pot made in China; mounts probably made by Wolfgang Howzer (born in Zurich, active 1652-1688). Nothing is known about the original owner of the brush pot, or the circumstances surrounding the commission of the mounts in London. It has been suggested (Glanville: 1984) that the greyhounds on the handles and the lid finial are a heraldic device, deliberately chosen to identify the European owner or (if the mounted pot was a gift) the recipient. In the eighteenth century, the mounted pot was at Stowe, in the possession of the Dukes of Buckingham (Glanville: 1996), for whom the greyhounds had no heraldic significance as the key animal in the ducal crest is the martlett (information kindly supplied by Anna McEvoy, Stowe House Preservation Trust). The mounted pot was among the many possessions sold to settle the second Duke of Buckingham's debts in 1848. Described in the sale catalogue as 'a beautiful cup of old blue and white - mounted in silvergilt in fine old taste', it fetched 24.10. It was sold to a Mr Mark Philips of Snitterfield (Tomlinson: 1990, pp. 17-19). In the twentieth century, the mounted pot was acquired by the collector and connoisseur Claude Rotch, and it was among a number of pieces he bequeathed to the Museum on his death in 1961 (Oman: 1963).
Subject depicted
Summary
A Chinese porcelain writing-brush jar, made between 1630 and 1650, and painted in underglaze blue with objects associated with the theme of 'Antiquities' (among them an antique ding (a cauldron with legs, a lid and two facing handles, used for the preparation of ritual offerings to ancestors) and an incense burner). It was mounted in England between 1660 and 1670 with extravagant silver-gilt mounts probably made by the Swiss goldsmith Wolfgang Howzer (died 1688). The addition of the mounts has transformed the brush jar into a luxurious, decorative two-handled cup and cover. The bold scrolling handles support greyhounds, and the decoration of the cover cleverly mimics that on the porcelain. At the top of the cover, another hound is seated on top of a grassy mound.
By the mid-17th century, when this brush jar came to England, blue and white Chinese porcelain was widely available in noble and wealthy households, and was no longer considered rare or curious. Porcelains of the finest quality, however, continued to be set in decorative mounts.
The greyhounds and seated hound on the mounts could be heraldic motifs that refer to the crest of the person who owned the pot and commissioned its gilded silver mounts. The goldsmith, working with great skill to create the elaborate decoration on the cover, has created a masterpiece worthy of any princely collection.
Bibliographic references
  • Forster, Henry Rumsey. The Stowe catalogue, priced and annotated. London: David Bogue, Fleet Street, 1848. [sale date: 15 August, 1848; 7 October 1848]
  • Oman, Charles. Caroline Silver 1625-1688. London: Faber and Faber, 1970
  • Glanville, Philippa. Chinese porcelain and English goldsmiths c. 1560-c.1660. The V&A Album. 1984, vol. 3. pp. 246-256.
  • Glanville, Philippa, ed. Silver. London: Victoria and Albert Museum, 1996. ISBN 1851771727
  • Tomlinson, Melanie. A cup and cover. Unpublished RCA/V&A M.A. Dissertation, January 1990
  • Brooke, Humphrey, ed. The age of Charles II: Royal Academy of Arts Winter Exhibition 1960-1. London: The Royal Academy of Arts, 1960. [Catalogue of an exhibition held at the Royal Academy of Arts, London, Dec. 10, 1960 - Feb. 26, 1961].
  • http://web.archive.org/web/20230112115412/https://www.stowe.co.uk/house/%20lost-treasures-of-stowe
  • Crighton, R. A. Cambridge Plate: an exhibition of silver, silver-gilt and gold plate arranged as a part of the Cambridge Festival 1975, drawn from the holdings by the City of Cambridge, the University of Cambridge, the colleges, the National Trust (Anglesey Abbey) and the Cambridge Beefsteak Club. Cambridge: Fitzwilliam Museum, 1975.
  • Wilson, Gillian. Mounted oriental porcelain in the J. Paul Getty Museum. Revised edition. Los Angeles: J. Paul Getty Museum, 1999. ISBN: 0892365625
  • Kerr, Rose and Luisa E. Mengoni. Chinese Export Ceramics. London: V&A Publishing, 2011. ISBN 9781851776320
  • Packer, Emma. 'Howzer, Wolfgang'. Biographical entry in Grove Art Online. Oxford Art Online. Oxford University Press, 2013: http://web.archive.org/web/20230111163342/https://www.oxfordartonline.com/groveart/display/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039157
  • Oman, Charles. Silver from the Rotch Bequest. Apollo. Vol. 77, February 1963. pp. 91 - 95.
Collection
Accession number
M.308:1, 2-1962

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Record createdJune 5, 1998
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