Frederick, Prince of Wales
Relief
1750-1760 (made)
1750-1760 (made)
| Artist/Maker | |
| Place of origin |
Object Type
This small wax portrait of Frederick, Prince of Wales (1707-1751), was made by one of the leading wax modellers of his day, Isaac Gosset (1713-1799). More than one version were produced for purchase (three are in the Royal Collection at Windsor Castle); these would have been framed and hung on walls, or perhaps kept in cabinets with other wax portraits. It is not dated, and may well be a posthumous portrait. Frederick was the son of George II, and the father of George III, who ascended the throne in 1760.
People
Isaac Gosset was a member of a French Huguenot family who settled in St Helier, Jersey, and later in London. He was taught by his uncle, Matthew Gosset, and was the last member of his family to model in wax. His connections led to a number of prestigious commissions, as a contemporary, George Vertue, noted: Gosset 'has had the Honour of his Majestyes setting to him ... haveing done the kings portrait in wax. extreamly like him, and the late Prince of Wales'. Gosset was intimately acquainted with the painter Thomas Gainsborough (1727-1788), and regularly exhibited in London. His family were also picture-framers, a skill Gosset practised himself.
Materials & Making
Wax portraits were particularly popular in Britain in the second half of the 18th century. They were often modelled from the life; a mould could be made from this initial model, from which further copies could be cast. The waxes were small and portable, and the nature of the material meant that they were extremely naturalistic. Sometimes they were coloured, and extra items added, such as textiles, seed pearls or coloured glass, to increase the lifelike appearance of the portrayal.
This small wax portrait of Frederick, Prince of Wales (1707-1751), was made by one of the leading wax modellers of his day, Isaac Gosset (1713-1799). More than one version were produced for purchase (three are in the Royal Collection at Windsor Castle); these would have been framed and hung on walls, or perhaps kept in cabinets with other wax portraits. It is not dated, and may well be a posthumous portrait. Frederick was the son of George II, and the father of George III, who ascended the throne in 1760.
People
Isaac Gosset was a member of a French Huguenot family who settled in St Helier, Jersey, and later in London. He was taught by his uncle, Matthew Gosset, and was the last member of his family to model in wax. His connections led to a number of prestigious commissions, as a contemporary, George Vertue, noted: Gosset 'has had the Honour of his Majestyes setting to him ... haveing done the kings portrait in wax. extreamly like him, and the late Prince of Wales'. Gosset was intimately acquainted with the painter Thomas Gainsborough (1727-1788), and regularly exhibited in London. His family were also picture-framers, a skill Gosset practised himself.
Materials & Making
Wax portraits were particularly popular in Britain in the second half of the 18th century. They were often modelled from the life; a mould could be made from this initial model, from which further copies could be cast. The waxes were small and portable, and the nature of the material meant that they were extremely naturalistic. Sometimes they were coloured, and extra items added, such as textiles, seed pearls or coloured glass, to increase the lifelike appearance of the portrayal.
Object details
| Categories | |
| Object type | |
| Title | Frederick, Prince of Wales (generic title) |
| Materials and techniques | Modelled or cast wax on glass, in a carved frame |
| Brief description | Relief, Wax portrait, Frederick Prince of Wales (1707-1751) |
| Physical description | Frederick, Prince of Wales (father of George III) is shown in cream wax on a cream wax backing. He is shown facing to the left. He wears a curled wig tied at the back of his neck falling to his waist and is dressed in a highly detailed and elaborate frock coat with an insignia and decorations. |
| Dimensions |
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| Gallery label | British Galleries:
Wax portrait reliefs were modelled, but copies of the original could then be cast from moulds and marketed as multiples. Isaac Gosset was a leading wax modeller. He was said to sell 'each head in oval frames for one guinea apeece - the original model at 4 guin. each'.(27/03/2003) |
| Credit line | From the Mary Bate collection. |
| Object history | Made in London by Isaac Gosset (born in London, 1713, died there in 1799) |
| Subject depicted | |
| Summary | Object Type This small wax portrait of Frederick, Prince of Wales (1707-1751), was made by one of the leading wax modellers of his day, Isaac Gosset (1713-1799). More than one version were produced for purchase (three are in the Royal Collection at Windsor Castle); these would have been framed and hung on walls, or perhaps kept in cabinets with other wax portraits. It is not dated, and may well be a posthumous portrait. Frederick was the son of George II, and the father of George III, who ascended the throne in 1760. People Isaac Gosset was a member of a French Huguenot family who settled in St Helier, Jersey, and later in London. He was taught by his uncle, Matthew Gosset, and was the last member of his family to model in wax. His connections led to a number of prestigious commissions, as a contemporary, George Vertue, noted: Gosset 'has had the Honour of his Majestyes setting to him ... haveing done the kings portrait in wax. extreamly like him, and the late Prince of Wales'. Gosset was intimately acquainted with the painter Thomas Gainsborough (1727-1788), and regularly exhibited in London. His family were also picture-framers, a skill Gosset practised himself. Materials & Making Wax portraits were particularly popular in Britain in the second half of the 18th century. They were often modelled from the life; a mould could be made from this initial model, from which further copies could be cast. The waxes were small and portable, and the nature of the material meant that they were extremely naturalistic. Sometimes they were coloured, and extra items added, such as textiles, seed pearls or coloured glass, to increase the lifelike appearance of the portrayal. |
| Collection | |
| Accession number | A.55-1970 |
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| Record created | March 27, 2003 |
| Record URL |
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