Textile
ca. 1850 (made)
| Artist/Maker | |
| Place of origin |
Object Type
This length of block-printed cotton was intended to be cut and tailored into garments such as coats and trousers, probably for members of the court at Jaipur, Rajasthan. The town of Sanganer, where this piece was made, was (and still is) renowned as a centre for high-quality block-printed cotton cloth which was established to serve the needs of the nearby Jaipur court.
Materials & Making
Printing with carved wooden blocks is one of the most widespread techniques of textile decoration in India, but is particularly associated with Rajasthan (where this piece was made) and neighbouring Gujarat. The blocks have to be made of extremely hard wood, usually teak, to endure years of repeated use. The most highly esteemed blocks are traditionally those made in Pethapur in Gujarat. The dyes used for the design are indigo (blue) and madder (red), with green made by combining indigo with a yellow dye, probably turmeric.
Design & Designing
This type of orderly design of offset rows of floral motifs has its origins in the Mughal court designs of the 17th century, but has continued to be popular ever since. When pieces like this one were shown at the Great Exhibition in 1851, several British critics were impressed by this type of 'flat' decoration, which they saw as preferable to the heavy, over-naturalistic designs of contemporary Victorian Britain.
This length of block-printed cotton was intended to be cut and tailored into garments such as coats and trousers, probably for members of the court at Jaipur, Rajasthan. The town of Sanganer, where this piece was made, was (and still is) renowned as a centre for high-quality block-printed cotton cloth which was established to serve the needs of the nearby Jaipur court.
Materials & Making
Printing with carved wooden blocks is one of the most widespread techniques of textile decoration in India, but is particularly associated with Rajasthan (where this piece was made) and neighbouring Gujarat. The blocks have to be made of extremely hard wood, usually teak, to endure years of repeated use. The most highly esteemed blocks are traditionally those made in Pethapur in Gujarat. The dyes used for the design are indigo (blue) and madder (red), with green made by combining indigo with a yellow dye, probably turmeric.
Design & Designing
This type of orderly design of offset rows of floral motifs has its origins in the Mughal court designs of the 17th century, but has continued to be popular ever since. When pieces like this one were shown at the Great Exhibition in 1851, several British critics were impressed by this type of 'flat' decoration, which they saw as preferable to the heavy, over-naturalistic designs of contemporary Victorian Britain.
Object details
| Category | |
| Object type | |
| Materials and techniques | Block-printed cotton |
| Brief description | Block print textile, cotton, printed, Sanganer, ca. 1850 |
| Dimensions |
|
| Object history | Purchased from the Great Exhibition of 1851 |
| Summary | Object Type This length of block-printed cotton was intended to be cut and tailored into garments such as coats and trousers, probably for members of the court at Jaipur, Rajasthan. The town of Sanganer, where this piece was made, was (and still is) renowned as a centre for high-quality block-printed cotton cloth which was established to serve the needs of the nearby Jaipur court. Materials & Making Printing with carved wooden blocks is one of the most widespread techniques of textile decoration in India, but is particularly associated with Rajasthan (where this piece was made) and neighbouring Gujarat. The blocks have to be made of extremely hard wood, usually teak, to endure years of repeated use. The most highly esteemed blocks are traditionally those made in Pethapur in Gujarat. The dyes used for the design are indigo (blue) and madder (red), with green made by combining indigo with a yellow dye, probably turmeric. Design & Designing This type of orderly design of offset rows of floral motifs has its origins in the Mughal court designs of the 17th century, but has continued to be popular ever since. When pieces like this one were shown at the Great Exhibition in 1851, several British critics were impressed by this type of 'flat' decoration, which they saw as preferable to the heavy, over-naturalistic designs of contemporary Victorian Britain. |
| Collection | |
| Accession number | 823A-1852 |
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| Record created | March 27, 2003 |
| Record URL |
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