Seal Ring thumbnail 1
Seal Ring thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 58b

Seal Ring

after 1611 (made)
Artist/Maker
Place of origin

Object Type
A seal ring was used to apply the wearer's personal mark to the sealing wax on a document. The seal then denoted the legality of the document and the identification of the issuing authority or individual.

Ownership & Use
The practice of wearing a seal ring engraved with a heraldic crest became common in England in the 15th century. At first the ring was only engraved with the crest (the top part of a complete coat of arms). However, after the mid-16th century it became usual for a gentleman to wear a 'seal of arms' like this ring, which has a complete shield.

This ring has the crest of the Throckmortons on one side, and the arms of the Carews on the other. The reason for the double seal is that its owner, Sir Nicholas Throckmorton, became heir to his uncle, Francis Carew of Beddington, on his death in 1611. He acknowledged his inheritance by taking on the name of Carew, so this ring must date from after 1611. . He erected a funerary monument in 1611 in the Carew Chapel of Beddington Church ‘to the memorie of his deare and well deserving unckle’. The inscription on the tomb explains that ‘The said Sir Francis living unmarried, adopted Sir Nicholas Throckmorton, sonne of Anne Throckmorton, his sister, to be heire of his estate and to beare his surname’.

People
Sir Nicholas Throckmorton (about 1560-1643), who owned the ring, came from a colourful family much involved with the court. His paternal grandfather, Sir George Throckmorton, was related through his wife to Catherine Parr, Henry VIII's last wife. His father, also Sir Nicholas, (1515-1571) was a staunch Protestant, who was cleared by a jury of treason under Mary I. He was then entrusted with high-level diplomatic missions to France and Scotland under Elizabeth I. The sister of the younger Sir Nicholas (the owner of the ring) married the navigator and author Sir Walter Raleigh (1552-1618).


Object details

Categories
Object type
Materials and techniques
Engraved gold
Brief description
Revolving seal ring with Throckmorton and Carew arms, gold, England, after 1611
Dimensions
  • Estimated diameter: 2.6cm
Dimensions checked: Measured; 02/06/2000 by NH/KB Dimensions checked ('measured') through display glass
Marks and inscriptions
On one side the crest, 'a falcon rising, proper, belled and jessed' (Throckmorton) and on the other, a shield, 'three lions passant gardant' (Carew) (engraved)
Gallery label
  • British Galleries: PERSONAL SEALS
    Coats of arms were used as a personal signature not just by the very powerful but by many members of the gentry, including women, and by holders of various offices. After about 1550 it became common for gentlemen to wear a signet ring with their family arms. The revolving seal ring was made for a member of the Throckmorton family and shows their Falcon crest. It also bears the coat of arms of the more powerful Carew family, because of the alliance through marriage of the two families. The large seal would have been used to authorise important documents.(27/03/2003)
  • Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars label text: Signet ring 1611–43 The revolving bezel is engraved on one side with the heraldic falcon crest of Sir Nicholas Throckmorton and on the other with the coat of arms of the Carew family. In 1611 Sir Nicholas inherited his uncle Sir Frances Carew’s estate and took his name. Sir Nicholas Throckmorton’s sister was Maid of Honour to Elizabeth I and married Sir Walter Raleigh. England Engraved gold V&A 808-1871
Object history
Acquired by Edmund Waterton, then acquired as part of the Waterton Collection by the Victoria and Albert Museum in 1871.
Summary
Object Type
A seal ring was used to apply the wearer's personal mark to the sealing wax on a document. The seal then denoted the legality of the document and the identification of the issuing authority or individual.

Ownership & Use
The practice of wearing a seal ring engraved with a heraldic crest became common in England in the 15th century. At first the ring was only engraved with the crest (the top part of a complete coat of arms). However, after the mid-16th century it became usual for a gentleman to wear a 'seal of arms' like this ring, which has a complete shield.

This ring has the crest of the Throckmortons on one side, and the arms of the Carews on the other. The reason for the double seal is that its owner, Sir Nicholas Throckmorton, became heir to his uncle, Francis Carew of Beddington, on his death in 1611. He acknowledged his inheritance by taking on the name of Carew, so this ring must date from after 1611. . He erected a funerary monument in 1611 in the Carew Chapel of Beddington Church ‘to the memorie of his deare and well deserving unckle’. The inscription on the tomb explains that ‘The said Sir Francis living unmarried, adopted Sir Nicholas Throckmorton, sonne of Anne Throckmorton, his sister, to be heire of his estate and to beare his surname’.

People
Sir Nicholas Throckmorton (about 1560-1643), who owned the ring, came from a colourful family much involved with the court. His paternal grandfather, Sir George Throckmorton, was related through his wife to Catherine Parr, Henry VIII's last wife. His father, also Sir Nicholas, (1515-1571) was a staunch Protestant, who was cleared by a jury of treason under Mary I. He was then entrusted with high-level diplomatic missions to France and Scotland under Elizabeth I. The sister of the younger Sir Nicholas (the owner of the ring) married the navigator and author Sir Walter Raleigh (1552-1618).
Bibliographic references
  • Brayley, Edward Wedlake et al., A Topographical History of Surrey (London, 1844), vol 4, part 1, pp.63-4
  • Catalogue of Antiquities and Works of Art exhibited at Ironmongers’ Hall, 1861 (London, 1869), ii, p.503
  • Tonnochy, Alec Bain, ‘English armorial signets’, Journal of the British Archaeological Association, 3 ser. x (1945-7), 39
  • Oman, C.C., Catalogue of Rings (London, 1930), p.86, no.494
  • Somers Cocks, Anna (ed.), Princely Magnificence: Court Jewels of the Renaissance, 1500-1630 (London, 1980), p.85, no.115
  • Bury, Shirley, Jewellery Gallery Summary Catalogue (London, 1982), p.198 (33 H 31)
  • Bury, Shirley, An Introduction to Rings (London, 1984) p.29
Collection
Accession number
808-1871

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Record createdMarch 27, 2003
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