Or are you looking for Search the Archives?

Please complete the form to email this item.

Man's Sash

Man's Sash

  • Place of origin:

    Tunisia (made)

  • Date:

    ca. 1850 (made)

  • Artist/Maker:

    Unknown

  • Materials and Techniques:

    Brocaded silk

  • Museum number:

    808&A-1852

  • Gallery location:

    British Galleries, Room 122, case 2 []

Object Type
This is part of a long, silk sash which would have been folded lengthways, wound several times around a Tunisian man's waist and then secured by tucking the loose end between the many layers. Not only was it a colourful accessory but small objects, such as a purse, papers or a dagger, could be kept in the folds. This was particularly useful because there were no large pockets in the man's garments.

Materials and Making
Although silk was widely used in urban workshops in Tunisia, it was not produced in North Africa and had to be imported in a raw state from other Mediterranean countries. It was cleaned, carded and spun by local women, dyed by skilled craftsmen and then hand-woven by a man using a wooden loom. The metal thread used to highlight details of the pattern was produced by men because tradition said that women's hands tarnish gold. There may be truth in this tradition because the oils on women's hands are known to be more acidic at certain times in their menstrual cycle.

Historical Associations
This sash was exhibited at the Great Exhibition of 1851 and was purchased by the Museum as an example of a tasteful and well-balanced design.

Physical description

Brocaded silk sash, but into pieces.

Place of Origin

Tunisia (made)

Date

ca. 1850 (made)

Artist/maker

Unknown

Materials and Techniques

Brocaded silk

Object history note

One of 17 textiles purchased by the V&A from the Tunis Stand at the Great Exhibition of 1851.

Descriptive line

Brocaded silk sash, cut into two pieces, Tunisia, ca. 1850.

Labels and date

British Galleries:
OBJECTS FROM THE MUSEUM'S EARLY COLLECTIONS

From about 1840 a collection of objects was formed for the Government School of Design. It was later expanded with objects purchased from the Great Exhibition. All had been selected for their appropriate use of materials, excellent workmanship or well-designed decoration. A new museum was established and rooms were provided for it at Marlborough House, London, where it was to be available to students, manufacturers and the general public to study. [27/03/2003]

Categories

Textiles; Men's clothes; Africa

Collection

Middle East Section

Large image request

Please confirm you are using these images within the following terms and conditions, by acknowledging each of the following key points:

Please let us know how you intend to use the images you will be downloading.