Writing Box
1800-1850 (made)
| Artist/Maker | |
| Place of origin |
Object Type
Writing boxes of this kind were not used in Japan. They were made especially for export to the West, where Japanese lacquer had been admired since the end of the 16th century. The coloured mother-of-pearl design of birds and foliage is typical of early 19th-century lacquer objects made for foreign customers.
Time
During the late 17th century Dutch merchants were the only Europeans allowed to trade in Japan. Rising prices meant that no Japanese lacquer was officially exported after 1693. As a substitute, merchants turned to cheaper and inferior products made in China. However, during the 18th and 19th centuries, Dutch merchants were able to use their privileged position to place private orders for objects like this box.
Places
Japanese export wares were shipped abroad from Deshima, a small island in Nagasaki harbour. By the late 18th century a new type of export work, called 'Nagasaki lacquer', had developed there. It is characterised by extremely thin and strikingly coloured pieces of pearl shell inlaid into black lacquer. The main parts of the design were also often underpainted.
Writing boxes of this kind were not used in Japan. They were made especially for export to the West, where Japanese lacquer had been admired since the end of the 16th century. The coloured mother-of-pearl design of birds and foliage is typical of early 19th-century lacquer objects made for foreign customers.
Time
During the late 17th century Dutch merchants were the only Europeans allowed to trade in Japan. Rising prices meant that no Japanese lacquer was officially exported after 1693. As a substitute, merchants turned to cheaper and inferior products made in China. However, during the 18th and 19th centuries, Dutch merchants were able to use their privileged position to place private orders for objects like this box.
Places
Japanese export wares were shipped abroad from Deshima, a small island in Nagasaki harbour. By the late 18th century a new type of export work, called 'Nagasaki lacquer', had developed there. It is characterised by extremely thin and strikingly coloured pieces of pearl shell inlaid into black lacquer. The main parts of the design were also often underpainted.
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 2 parts.
|
| Materials and techniques | Wood, covered with black lacquer and inlaid with under-painted mother-of-pearl |
| Brief description | Writing box, black lacquer inlaid with underpainted mother-of-pearl, decorated with a bird on the branch of a maple tree, and sprigs of flowering plants and blossoms round the sides; Japan for the western market, 1800-1850 |
| Physical description | This desk is in the form of a box which opens up to form a desk with a slanting writing surface covered with baize, together with a drawer on the lower side and a metal lockplate (key missing). It is made of wood covered in black lacquer and inlaid with mother-of-pearl shell, which is underpainted in colours. It is decorated with a bird on the branch of a maple tree, together with other plants, such as bamboo. Sprigs of flowering plants and blossoms are evenly scattered round the sides of the box. |
| Dimensions |
|
| Gallery label | British Galleries:
This box was one of the first Japanese objects bought by the Museum. It was probably imported into Britain from The Netherlands, because before the 1850s the Dutch were the only Europeans who had been granted trading rights by Japan. The objects they brought back were made specifically for the European market.(27/03/2003) |
| Object history | Purchased from Hewitt & Co. (18 Fenchurch Street, London), accessioned in 1852. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. This box was purchased from Messrs. Hewett & Co.;;; |
| Subjects depicted | |
| Summary | Object Type Writing boxes of this kind were not used in Japan. They were made especially for export to the West, where Japanese lacquer had been admired since the end of the 16th century. The coloured mother-of-pearl design of birds and foliage is typical of early 19th-century lacquer objects made for foreign customers. Time During the late 17th century Dutch merchants were the only Europeans allowed to trade in Japan. Rising prices meant that no Japanese lacquer was officially exported after 1693. As a substitute, merchants turned to cheaper and inferior products made in China. However, during the 18th and 19th centuries, Dutch merchants were able to use their privileged position to place private orders for objects like this box. Places Japanese export wares were shipped abroad from Deshima, a small island in Nagasaki harbour. By the late 18th century a new type of export work, called 'Nagasaki lacquer', had developed there. It is characterised by extremely thin and strikingly coloured pieces of pearl shell inlaid into black lacquer. The main parts of the design were also often underpainted. |
| Collection | |
| Accession number | 51:1 to 3-1852 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | March 27, 2003 |
| Record URL |
Download as: JSONIIIF Manifest
