The Vyvyan Salt thumbnail 1
The Vyvyan Salt thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 57

The Vyvyan Salt

Salt
1592-1593 (hallmarked)
Artist/Maker
Place Of Origin

Object Type
This 'salt' is a large, ceremonial object which would have been placed in front of the head of the household or the guest of honour as a container for salt during a meal. Salts were among the most important pieces of metalwork in a Tudor or Stuart household. They could be made in a variety of styles and sizes and use different materials such as gems, pearls, enamels or crystal and can be used to show wealth and status.

The glass panels are made of verre eglomisé which is a process in which the image is painted on the reverse of the glass and backed with silver or gold foil to make it reflective.

Subjects Depicted
The panels are painted with images from emblem books such as Geoffrey Whitney's A Choice of Emblemes (1586) and Paradin's Devises héroïques. Emblem books were very popular in Europe in the 16th and 17th centuries. They combine pictures and text to present a striking message or moral admonition. The designs shown on this salt include a fruiting vine around a tree, a snake in a strawberry plant and red roses with bees and spiders. Each picture was symbolic: for example, the image of the snake and the strawberry plant warned against flattery and sugared words.

The glass panels are also decorated with portrait heads of Alexander the Great, Julius Caesar, Ninus and Cyrus. A figure of Justice acts as the finial.

People
This salt has been passed down through the Vyvyan family of Trelowarren House, Cornwall since the early 17th century.


object details
Categories
Object Type
Parts
This object consists of 2 parts.

  • Standing Salt (Vyvyan Salt)
  • Cover (Closure)
Materials and Techniques
Silver gilt, with painted and gilded glass (verre églomisé)
Brief Description
Tudor silver-gilt salt and cover, English 16th century
Physical Description
The latin inscriptions are short moral phrases
Dimensions
  • Height: 40.4cm
  • Foot width: 16cm
  • Foot depth: 16.5cm
Dimensions checked: Measured; 06/06/2000 by KB Width/depth judged with cracked glass panel at back
Gallery Label
British Galleries: Salt was a luxury commodity. It was presented at table in a precious container called simply a 'salt'. Highly ornate silver or silver-gilt salts were considered prestigious gifts by Elizabeth I's courtiers. This large-scale salt follows the shape of a contemporary clock. The painted glass panels are decorated with emblems copied from contemporary books.(27/03/2003)
Credit line
Acquired with the assistance of the Goldsmiths' Company, The Art Fund and Edmund A. Phillips
Object history
Made in London by an unknown goldsmith; with the mark of WH over a flower in a plain shield



Historical significance: The goldsmith's mark is found on a pair of flagons (1592) belonging to Rendcombe Church, Gloucestershire. This extraordinary salt combines certain well-established elements of Elizabethan design, such as the cast animal feet, the canopy and the architectural conception, with an unusually careful execution (for English silver). In addition the inclusion of verre eglomisé panels painted with themes from emblem books (G. Whitney Emblems (1586) and Paradin Devises heroiques) further distinguishes the salt as exceptional in surviving English silver, although emblems are found on Sheldon tapestries and in wall paintings, and the Nine Worthies (whose members varied) had been part of English popular art since the mid-fifteenth century, when they occur in a civic pageant at York.

A great salt 'with pictures' at Hardwick in 1601 may have been comparable, but other references to verre eglomisé in English silver are few, although painted glass occurs in several entries in the 1574 royal inventory. Some of these royal pieces were contemporary or near-contemporary acquisitions; others had been in the Jewel House since the time of Henry VIII. This is, however, a decorative technique far more characteristic of Swiss or German goldsmiths' work. (P. Glanville, Silver in Tudor and Early Stuart England, No. 91.)



The salt was purchased in 1925 with the assistance of the Worshipful Company of Goldsmiths, the National Art Collections Fund and Mr. Edmund A. Phillips.
Summary
Object Type
This 'salt' is a large, ceremonial object which would have been placed in front of the head of the household or the guest of honour as a container for salt during a meal. Salts were among the most important pieces of metalwork in a Tudor or Stuart household. They could be made in a variety of styles and sizes and use different materials such as gems, pearls, enamels or crystal and can be used to show wealth and status.

The glass panels are made of verre eglomisé which is a process in which the image is painted on the reverse of the glass and backed with silver or gold foil to make it reflective.

Subjects Depicted
The panels are painted with images from emblem books such as Geoffrey Whitney's A Choice of Emblemes (1586) and Paradin's Devises héroïques. Emblem books were very popular in Europe in the 16th and 17th centuries. They combine pictures and text to present a striking message or moral admonition. The designs shown on this salt include a fruiting vine around a tree, a snake in a strawberry plant and red roses with bees and spiders. Each picture was symbolic: for example, the image of the snake and the strawberry plant warned against flattery and sugared words.

The glass panels are also decorated with portrait heads of Alexander the Great, Julius Caesar, Ninus and Cyrus. A figure of Justice acts as the finial.

People
This salt has been passed down through the Vyvyan family of Trelowarren House, Cornwall since the early 17th century.
Collection
Accession Number
M.273:1, 2-1925

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record createdJune 1, 1998
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