Block Mould
1755-1765 (made)
| Artist/Maker | |
| Place of origin |
Object Type
For each original design for moulded pottery, at least one solid salt-glazed stoneware master block-mould was produced to enable a potter to make an unlimited number of plaster-of-paris moulds. Almost indestructible, many of these block-moulds have survived. This particular example represents one of a number of designs for sauce boats, probably used mainly for gravy on the dining table.
Time
This mould, shown together with a Longton Hall porcelain sauce-boat of the same design, combines the Rococo style copied from luxury goods such as silver with techniques of mass-production developed in Staffordshire by enterprising potters and block-makers. As an experiment in introducing commercial porcelain production to Staffordshire, the factory at Longton Hall established by William Littler (1724-1784) was perhaps premature, for Littler's rather brittle porcelain body could not compete with the more refined porcelains of Chelsea, Derby and elsewhere. After Longton Hall's closure in 1759, it was not until the founding of the New Hall factory in 1782 that porcelain, rather than pottery, was mass-produced in the Staffordshire Potteries.
Historical Associations
As part of the collection of Enoch Wood (1759-1840), the major earthenware potter in Burslem, Staffordshire, in the early 19th century, this block-mould formed part of his factory museum, which he had opened by 1816, if not earlier.
For each original design for moulded pottery, at least one solid salt-glazed stoneware master block-mould was produced to enable a potter to make an unlimited number of plaster-of-paris moulds. Almost indestructible, many of these block-moulds have survived. This particular example represents one of a number of designs for sauce boats, probably used mainly for gravy on the dining table.
Time
This mould, shown together with a Longton Hall porcelain sauce-boat of the same design, combines the Rococo style copied from luxury goods such as silver with techniques of mass-production developed in Staffordshire by enterprising potters and block-makers. As an experiment in introducing commercial porcelain production to Staffordshire, the factory at Longton Hall established by William Littler (1724-1784) was perhaps premature, for Littler's rather brittle porcelain body could not compete with the more refined porcelains of Chelsea, Derby and elsewhere. After Longton Hall's closure in 1759, it was not until the founding of the New Hall factory in 1782 that porcelain, rather than pottery, was mass-produced in the Staffordshire Potteries.
Historical Associations
As part of the collection of Enoch Wood (1759-1840), the major earthenware potter in Burslem, Staffordshire, in the early 19th century, this block-mould formed part of his factory museum, which he had opened by 1816, if not earlier.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Salt-glazed stoneware, formed in a plaster mould taken from a carved or modelled original |
| Brief description | Block mould for a sauceboat |
| Dimensions |
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| Gallery label |
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| Object history | Probably made in Staffordshire by Aaron Wood (born in Burslem, Staffordshire, 1717, died in 1785) |
| Summary | Object Type For each original design for moulded pottery, at least one solid salt-glazed stoneware master block-mould was produced to enable a potter to make an unlimited number of plaster-of-paris moulds. Almost indestructible, many of these block-moulds have survived. This particular example represents one of a number of designs for sauce boats, probably used mainly for gravy on the dining table. Time This mould, shown together with a Longton Hall porcelain sauce-boat of the same design, combines the Rococo style copied from luxury goods such as silver with techniques of mass-production developed in Staffordshire by enterprising potters and block-makers. As an experiment in introducing commercial porcelain production to Staffordshire, the factory at Longton Hall established by William Littler (1724-1784) was perhaps premature, for Littler's rather brittle porcelain body could not compete with the more refined porcelains of Chelsea, Derby and elsewhere. After Longton Hall's closure in 1759, it was not until the founding of the New Hall factory in 1782 that porcelain, rather than pottery, was mass-produced in the Staffordshire Potteries. Historical Associations As part of the collection of Enoch Wood (1759-1840), the major earthenware potter in Burslem, Staffordshire, in the early 19th century, this block-mould formed part of his factory museum, which he had opened by 1816, if not earlier. |
| Bibliographic reference | Young, Hilary, 'The Birth of the Ceramic Designer' in Walford, Tom and Hilary Young British Ceramic Design, 1600-2002: Papers presented at the colloquium celebrating the 75th anniversary of the English Ceramic Circle, 1927-2002. 2003, p. 19, fig. 8 |
| Collection | |
| Accession number | 3910-1852 |
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| Record created | March 27, 2003 |
| Record URL |
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